John Francis Wade, Angela Gheorghiu, Romanian National Choir "Madrigal-Marin Constantin", London Philharmonic Orchestra, Ion Marin's 'Adeste Fideles (O Come, All Ye Faithful)' came out on January 1, 2001. With this song being around four minutes long, at 3:44, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Angela Gheorghiu, London Philharmonic Orchestra, Ion Marin's "Mysterium - Sacred Arias" album is number 15 out of 15. On top of that, United Kingdom appears to be the country where this track was created. Based on our statistics, Adeste Fideles (O Come, All Ye Faithful)'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Adeste Fideles (O Come, All Ye Faithful) by John Francis Wade, Angela Gheorghiu, Romanian National Choir "Madrigal-Marin Constantin", London Philharmonic Orchestra, Ion Marin to be Allegro (fast, quick, and bright) because the track has a tempo of 132 BPM, a half-time of 66BPM, and a double-time of 264 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 3/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Chorale: Za Ma Ba | Karl Jenkins, Peter Pejtsik, Adiemus Symphony Orchestra Of Europe | G Major | 3 | 9B | 84 BPM | ||
Petersburger Schlittenfahrt, Op. 57 | Richard Eilenberg, WDR Sinfonieorchester Köln, Christian Simonis | D Major | 4 | 10B | 78 BPM | ||
Crossing the Bar | Hubert Parry, Choir of Jesus College, Cambridge, Mark Williams | D Major | 1 | 10B | 70 BPM | ||
So nimm denn meine Hände | Klaus Heizmann | D Major | 3 | 10B | 83 BPM | ||
There Is No Rose | Philip Stopford, Truro Cathedral Choir, Christopher Gray | B♭ Major | 1 | 6B | 130 BPM | ||
Hymne | R.P. Komitas, Garbis Aprikian, Choeur Sipan-Komitas | G Minor | 4 | 6A | 160 BPM | ||
Adiemus - Songs Of Sanctuary: Cantate Domino | Karl Jenkins, Polyphony, Stephen Layton | A Major | 1 | 11B | 133 BPM | ||
Night Seasons: II. When It's Darkest, A Prayer For The Dawn | Rebecca Dale, Book of common prayer, Guy Johnston, Tenebrae, Philharmonia Orchestra, Nigel Short, Richard McVeigh | B♭ Major | 1 | 6B | 67 BPM | ||
O salutaris hostia | Pierre de la Rue, Choir of Clare College, Cambridge, Graham Ross | F Major | 0 | 7B | 72 BPM | ||
Magnificat in F Major (1) | George Dyson, Hereford Cathedral Choir, Huw Williams, Roy Massey | G Major | 2 | 9B | 169 BPM |
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