"Adiemus - Songs Of Sanctuary: Cantate Domino" by Karl Jenkins, Polyphony, Stephen Layton was released on January 1, 2014. The duration of Adiemus - Songs Of Sanctuary: Cantate Domino is about two minutes long, specifically at 2:40. This song does not appear to have any foul language. Adiemus - Songs Of Sanctuary: Cantate Domino's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Karl Jenkins, Polyphony, Stephen Layton's "Karl Jenkins: Motets" album is number 2 out of 19. On top of that, Germany appears to be the country where this track was created. Based on our statistics, Adiemus - Songs Of Sanctuary: Cantate Domino's popularity is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Adiemus - Songs Of Sanctuary: Cantate Domino by Karl Jenkins, Polyphony, Stephen Layton to be Allegro (fast, quick, and bright) because the track has a tempo of 133 BPM, a half-time of 66BPM, and a double-time of 266 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 3/4.
This song is in the music key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Miserere mei, Z. 109 | Henry Purcell, Westminster Kantorei, Thomas Fields, Kerry Heimann, Amanda Quist | A Minor | 1 | 8A | 66 BPM | ||
Delibes: Lakmé, Act 1: "Dôme épais le jasmin à la rose s'assemble" (Lakmé, Mallika) | Léo Delibes, Alain Lombard, Mady Mesple, Choeurs du Théâtre National De l'Opéra-Comique, Paris, Orchestre du Théâtre national de l'Opéra-Comique, Bernadette Antoine, Danielle Millet, Orchestre du Theatre National de IOpera-Comique | B Major | 1 | 1B | 135 BPM | ||
Agnus Dei, Op. 11/2 (Vocal Version of Adagio for Strings) | Samuel Barber, Polyphony, Stephen Layton | C Major | 0 | 8B | 78 BPM | ||
Mass in E-Flat Major (Cantus missae), Op.109: IV. Sanctus | Josef Rheinberger, Kammerchor Stuttgart, Ensemble Stuttgart, Frieder Bernius | E♭ Major | 1 | 5B | 71 BPM | ||
Tannhäuser: Pilgerchor | Chor der Staatsoper Budapest, Orchester der Staatsoper Budapest, Josif Canta | E♭ Major | 2 | 5B | 118 BPM | ||
Calme des nuits, Op.68, No.1 | Camille Saint-Saëns, The Monteverdi Choir, John Eliot Gardiner | E Minor | 0 | 9A | 128 BPM | ||
Mass, Op. 12: V. Panis Angelicus | César Franck, Christian-Pierre La Marca, Philippe Jaroussky, Thierry Escaich | F Major | 1 | 7B | 137 BPM | ||
Hänsel und Gretel, EHWV 93.3, Act II: Abends, will ich schlafen geh'n | Engelbert Humperdinck, Rundfunk-Sinfonieorchester Berlin, Marek Janowski, Katrin Wundsam, Alexandra Steiner | D Major | 0 | 10B | 169 BPM | ||
Beati quorum via | Charles Villiers Stanford, The Sixteen, Harry Christophers | A♭ Major | 1 | 4B | 133 BPM | ||
Come again, sweet love doth now invite | John Dowland, Amarcord | D Minor | 0 | 7A | 63 BPM |
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