"Donaudy : "O del mio amato ben"" by Stefano Donaudy, Sumi Jo was released on February 23, 2010. With this song being around four minutes long, at 3:51, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 29 in the song's album "Sumi Jo Collection". In this album, this song's track order is #21. Based on our statistics, Donaudy : "O del mio amato ben"'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Donaudy : "O del mio amato ben" by Stefano Donaudy, Sumi Jo having a BPM of 132 with a half-time of 66 BPM and a double-time of 264 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song has a musical key of A Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Les Contes d'Hoffmann (2003 - Remaster), Act II: Les oiseaux dans la charmille :Chanson de la poupéee (Olympia/Chorus) | Jacques Offenbach, Gianna d' Angelo/Choeurs René Duclos/Orchestre de la Société des Concerts du Conservatoire/André Cluytens, André Cluytens, Orchestre De La Société Des Concerts Du Conservatoire | A♭ Major | 1 | 4B | 103 BPM | ||
Haugtussa, Op. 67: V. Elsk | Charlotte Hoather, George Todica | C Major | 2 | 8B | 104 BPM | ||
Orfeo ed Euridice / Act 3: Aria: "Che farò senza Euridice?" | Christoph Willibald Gluck, Marilyn Horne, Orchestra of the Royal Opera House, Covent Garden, Sir Georg Solti | C Major | 2 | 8B | 106 BPM | ||
Myrthen, Op. 25: No. 7. Die Lotosblume | Robert Schumann, Margaret Price, James Lockhart | D Major | 1 | 10B | 93 BPM | ||
Tosca: Recondita armonia | Carlo Bergonzi, Gianandrea Gavazzeni, Orchestra dell'Accademia Nazionale di Santa Cecilia | F Major | 2 | 7B | 93 BPM | ||
Don Gil de Alcalá: Juntos en Este Jardín (Romanza de Don Gil) - Remastered | Manuel Penella, Marcos Redondo | F♯ Major | 2 | 2B | 69 BPM | ||
Rossini : La Cenerentola : Act 2 "Non più mesta accanto al fuoco" [Cenerentola, Clorinda, Tisbe, Dandini, Magnifico, Chorus] | Gioachino Rossini, Carlo Rizzi, Orchestra of the Royal Opera House, Covent Garden | E Major | 2 | 12B | 127 BPM | ||
Arie di stile antico, Vol. II: No. 8, No, non mi guardate | Stefano Donaudy, Samuele Pala, Ernesto Palacio | F Major | 0 | 7B | 136 BPM | ||
La Gioconda / Act 1: "Voce di donna o d'angelo" | Amilcare Ponchielli, Olga Borodina, Orchestra of the Welsh National Opera, Carlo Rizzi | E♭ Major | 1 | 5B | 78 BPM | ||
Ave, Verum Corpus | Franco Corelli | A Major | 1 | 11B | 66 BPM |
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