- BPM
- 111
- Key
- D Major
- Camelot
- 10B
Britten: The Turn of the Screw, Op. 54, Act 1: The Tower. "How Beautiful It Is" (Governess) - Benjamin Britten, Daniel Harding, Jane Henschel, Mahler Chamber Orchestra Information
- Acousticness
- 97%
- Danceability
- 32%
- Energy
- 2%
- Instrumentalness
- 3%
- Liveness
- 10%
- Loudness
- 54%
- Speechiness
- 5%
- Valence
- 4%
- Popularity
- 31%
- Loudness
- -27.357 dB
Summary
"Britten: The Turn of the Screw, Op. 54, Act 1: The Tower. "How Beautiful It Is" (Governess)" by Benjamin Britten, Daniel Harding, Jane Henschel, Mahler Chamber Orchestra was released on January 1, 2002. With this song being around four minutes long, at 3:43, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 9 out of 33 in Britten: The Turn of the Screw by Benjamin Britten, Daniel Harding. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. In terms of popularity, Britten: The Turn of the Screw, Op. 54, Act 1: The Tower. "How Beautiful It Is" (Governess) is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Britten: The Turn of the Screw, Op. 54, Act 1: The Tower. "How Beautiful It Is" (Governess) BPM
The tempo marking of Britten: The Turn of the Screw, Op. 54, Act 1: The Tower. "How Beautiful It Is" (Governess) by Benjamin Britten, Daniel Harding, Jane Henschel, Mahler Chamber Orchestra is Moderato (at a moderate speed), since this song has a tempo of 111 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 3/4.
Britten: The Turn of the Screw, Op. 54, Act 1: The Tower. "How Beautiful It Is" (Governess) Key
D Major is the music key of this track. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Saint Nicolas, Op. 42: He Comes To Myra and Is Chosen Bishop | Benjamin Britten, Sir Peter Pears, Aldeburgh Festival Chorus, Girls' Choir Of Sir John Leman School, Beccles, Boys' Choir Of Ipswich School Preparatory Department, Ralph Downes, The Aldeburgh Festival Orchestra | D Major | 3 | 10B | 64 BPM | |
 | Britten: Les illuminations, Op. 18: V. Marine | Benjamin Britten, Ian Bostridge, Sir Simon Rattle, Berliner Philharmoniker | E Major | 2 | 12B | 73 BPM | |
 | Stabat Mater, FP 148: 5. Quis est homo | Francis Poulenc, Kathleen Battle, Boston Symphony Orchestra, Seiji Ozawa, Tanglewood Festival Chorus, John Oliver | A Minor | 3 | 8A | 97 BPM | |
 | Beethoven: Coriolan Overture, Op. 62 | Ludwig van Beethoven, Deutsche Kammerphilharmonie Bremen, Daniel Harding | E Major | 1 | 12B | 124 BPM | |
| Saint Nicolas, Op. 42: The Birth Of Nicolas | Benjamin Britten, Sir Peter Pears, David Hemmings, Girls' Choir Of Sir John Leman School, Beccles, Boys' Choir Of Ipswich School Preparatory Department, Ralph Downes, The Aldeburgh Festival Orchestra | D Minor | 1 | 7A | 171 BPM | |
 | Strauss, R: 8 Gedichte aus Letzte Blätter, Op. 10: No. 1, Zueignung (Version with Orchestra) | Richard Strauss, Elisabeth Schwarzkopf, George Szell, Deutsches Symphonie-Orchester Berlin | C Major | 2 | 8B | 81 BPM | |
 | Ode for Saint Cecilia's Day, HWV 76: The Trumpet's Loud Clangour - Live In Snape / 1967 | George Frideric Handel, Sir Peter Pears, Philip Jones, English Chamber Orchestra, Benjamin Britten | D Major | 0 | 10B | 76 BPM | |
 | Ein deutsches Requiem, Op. 45: V. Ihr habt nur Traurigkeit (Soprano and Choir) | Johannes Brahms, Christiane Karg, Swedish Radio Choir, Swedish Radio Symphony Orchestra, Daniel Harding | G Major | 1 | 9B | 102 BPM | |
 | Symphony No. 8, Erster Teil: III. Veni, creator spiritus | Gustav Mahler, Berliner Philharmoniker, Sir Simon Rattle, Rundfunkchor Berlin, MDR Leipzig Radio Chorus, Knaben des Staats- und Domchors Berlin, Erika Sunnegardh, Susan Bullock, Lilli Paasikivi, Nathalie Stutzmann, Johan Botha, David Wilson-Johnson, John Relyea | E♭ Major | 4 | 5B | 88 BPM | |
 | War Requiem, Op. 66 / Requiem aeternam: 1b. What Passing Bells for These who die as Cattle? | Benjamin Britten, Sir Peter Pears, Melos Ensemble, The Bach Choir, London Symphony Chorus, London Symphony Orchestra | F♯ Major | 1 | 2B | 82 BPM |
- ISRC
- GBAYC0202242
- Label
- L-M Records/RCA Records
Section: 0.7062876224517822
End: 0.7104408740997314