On November 5, 1999, the song "Musicalischer Parnassus: Euterpe, Suite No. 6: Bouree" was released by Johann Caspar Ferdinand Fischer, Luc Beauséjour. With This song being less than two minutes long, at 1:15, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 34 out of 36 in Fischer: Musical Parnassus, Vol. 1 by Johann Caspar Ferdinand Fischer. Going off of the ISRC code of this track, we detected that the origin of this track is from Hong Kong. Musicalischer Parnassus: Euterpe, Suite No. 6: Bouree is unknown right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
The tempo marking of Musicalischer Parnassus: Euterpe, Suite No. 6: Bouree by Johann Caspar Ferdinand Fischer, Luc Beauséjour is Andante (at a walking pace), since this song has a tempo of 81 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Scarlatti, D: Keyboard Sonata in A Minor, Kk. 7 | Domenico Scarlatti, Scott Ross | F♯ Major | 5 | 2B | 109 BPM | ||
15 Inventions, BWV 772-786: No. 1 in C Major, BWV 772 | Johann Sebastian Bach, András Schiff | E♭ Minor | 2 | 2A | 124 BPM | ||
Little Consort in Two Parts for Severall Friends in C minor-major: I. Fantazie | Matthew Locke, Rachel Podger, Brecon Baroque | A♭ Minor | 2 | 1A | 112 BPM | ||
Hamburg Symphony No. 6 in E Major, Wq. 182: II. Poco andante | Carl Philipp Emanuel Bach, Arte dei Suonatori, Marcin Świątkiewicz | D♭ Major | 3 | 3B | 100 BPM | ||
Oboe Concerto, GWV 302: II. Tempo giusto | Christoph Graupner, Elisabeth Grümmer, Ensemble der »Bachkantaten in Vorarlberg« | F♯ Major | 0 | 2B | 79 BPM | ||
Bassoon Concerto in E Minor, RV 484: II. Andante | Antonio Vivaldi, Sophie Dervaux, La Folia Barockorchester | A Minor | 0 | 8A | 100 BPM | ||
Suite in A Major, BWV 1025: V. Allegro | Silvius Leopold Weiss, Johann Sebastian Bach, Emelie Roos, Dohyo Sol | B Minor | 0 | 10A | 127 BPM | ||
Violin Sonata No. 1 in D Minor: II. Presto | Élisabeth Jacquet de La Guerre, David Plantier, Daniela Dolci | D♭ Minor | 2 | 12A | 118 BPM | ||
Concerto e fur Blockflote, Traversflote, Streicher und Generalbass: Largo | Cologne Chamber Orchestra | E Major | 0 | 12B | 95 BPM | ||
Violin Sonata in G Major, Op. 2 No. 5: IV. Gigue. Allegro assai | Michele Mascitti, Fabrizio Cipriani, Antonio Fantinuoli | A♭ Minor | 1 | 1A | 73 BPM |