Kommt, eilet und laufet (Easter Oratorio), BWV 249: 6. Aria "Sanfte soll mein Todeskummer" - Johann Sebastian Bach, Orchestra of the Age of Enlightenment, Christoph Prégardien, Gustav Leonhardt Information

Acousticness: 95%
Danceability: 25%
Energy: 1%
Instrumentalness: 0%
Liveness: 10%
Loudness: 51%
Speechiness: 4%
Valence: 14%
Popularity: 1%
Loudness: -29.416 dB

Summary

"Kommt, eilet und laufet (Easter Oratorio), BWV 249: 6. Aria "Sanfte soll mein Todeskummer"" by Johann Sebastian Bach, Orchestra of the Age of Enlightenment, Christoph Prégardien, Gustav Leonhardt was released on April 2, 2021. Since Kommt, eilet und laufet (Easter Oratorio), BWV 249: 6. Aria "Sanfte soll mein Todeskummer" is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 51 out of 57 in Easter Classical by Johann Sebastian Bach, Wolfgang Amadeus Mozart, George Frideric Handel. In terms of popularity, Kommt, eilet und laufet (Easter Oratorio), BWV 249: 6. Aria "Sanfte soll mein Todeskummer" is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Kommt, eilet und laufet (Easter Oratorio), BWV 249: 6. Aria "Sanfte soll mein Todeskummer" BPM

The tempo marking of Kommt, eilet und laufet (Easter Oratorio), BWV 249: 6. Aria "Sanfte soll mein Todeskummer" by Johann Sebastian Bach, Orchestra of the Age of Enlightenment, Christoph Prégardien, Gustav Leonhardt is Andante (at a walking pace), since this song has a tempo of 106 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.

Kommt, eilet und laufet (Easter Oratorio), BWV 249: 6. Aria "Sanfte soll mein Todeskummer" Key

This song is in the music key of F♯ Major. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Cello Suite No. 5 in C Minor, BWV 1011: I. Prélude	Johann Sebastian Bach, Yo-Yo Ma	C Minor	2	5A	88 BPM
Bach, JS: Concerto for Three Pianos in C Major, BWV 1064: I. Allegro	Johann Sebastian Bach, Jean-Pierre Wallez, Gabriel Tacchino, Jean-Philippe Collard, Michel Béroff, Orchestre de chambre de Paris	C Major	2	8B	83 BPM
Bach, JS: Concerto for Two Violins in D Minor, BWV 1043: II. Largo ma non tanto	Johann Sebastian Bach, Itzhak Perlman, Pinchas Zukerman, English Chamber Orchestra, Daniel Barenboim	F Major	2	7B	77 BPM
Concerto In D Major For 2 Violins, Strings & Continuo, RV 511: 2. Largo	Antonio Vivaldi, Viktoria Mullova, Giuliano Carmignola, Venice Baroque Orchestra, Andrea Marcon	E Minor	0	9A	75 BPM
Pavane pour une infante défunte	Maurice Ravel, Alexandre Tharaud	E Minor	0	9A	63 BPM
6 Chants polonais, S. 480: No. 2, Frühling (Wiosna, Spring) [After Chopin's Op. 74]	Franz Liszt, Joseph Banowetz	G Minor	0	6A	96 BPM
Trio In G Minor, BWV 929	Janos Sebestyen, Johann Sebastian Bach	G Minor	2	6A	126 BPM
Sonata for Violin and Basso Continuo in G Major, TWV 41:G1: II. Allegro	Georg Philipp Telemann, Boris Begelman	F♯ Major	4	2B	116 BPM
Concerto in C Minor, BWV 1060: II. Adagio	Johann Sebastian Bach, Alexei Ogrintchouk, Concertgebouw Chamber Orchestra, Vesko Eschkenazy, Tjeerd Top, Alexei Ogrintchouck	C Minor	1	5A	81 BPM
Pièces Lyriques, Op. 47 No. 3: Mélodie	Edvard Grieg, Shani Diluka	F Major	0	7B	105 BPM

ISRC: This song does not have an ISRC.
Label: L-M Records/RCA Records

Section: 0.6671481132507324

End: 0.6711134910583496