"The Gordian Knot Untied, Z. 597: Rondeau Minuet" by Henry Purcell, Raymond Leppard, English Chamber Orchestra was released on 1967. With The Gordian Knot Untied, Z. 597: Rondeau Minuet being less than two minutes long, at 1:46, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Raymond Leppard's "Great CBS Masterworks Recordings of Baroque Favorites from "Kramer vs. Kramer"" album is number 4 out of 20. On top of that, United States appears to be the country where this track was created. The Gordian Knot Untied, Z. 597: Rondeau Minuet is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of The Gordian Knot Untied, Z. 597: Rondeau Minuet by Henry Purcell, Raymond Leppard, English Chamber Orchestra to be Andante (at a walking pace) because the track has a tempo of 78 BPM, a half-time of 39BPM, and a double-time of 156 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song is in the music key of G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Armide Opera In 5 Acts With Prologue: Passacaille | Jean-Baptiste Lully, Musica Antiqua Köln, Reinhard Goebel | F♯ Minor | 1 | 11A | 119 BPM | ||
12 Concerti grossi, Op.6 - Concerto grosso in A minor, Op. 6, No. 4: 4. Allegro | George Frideric Handel, Handel & Haydn Society, Christopher Hogwood | A♭ Minor | 2 | 1A | 81 BPM | ||
Salomon, HWV 67: Arrival of the Queen of Sheba: Sinfonia | English Chamber Orchestra, Sir Charles Mackerras | B♭ Major | 2 | 6B | 122 BPM | ||
Violin Concerto No. 1 in G Minor, Op. 26: II. Adagio | Max Bruch, Jascha Heifetz, Sir Malcolm Sargent | E Minor | 0 | 9A | 96 BPM | ||
Sonata for Oboe & Piano, 1st Movement - George Frideric Handel | Gerhard Kanzian And Ed Lewis | C Minor | 1 | 5A | 63 BPM | ||
Concerto in D Minor: II. Adagio | Benedetto Marcello, John Anderson, Simon Wright, Philharmonia Orchestra | D Minor | 1 | 7A | 64 BPM | ||
Concerto For Oboe In D Minor - Presto | Tafelmusik Baroque Orchestra | D♭ Minor | 3 | 12A | 104 BPM | ||
Die tote Stadt / Act 1: Glück, das mir verblieb (Mariettalied) | Erich Wolfgang Korngold, Renée Fleming, English Chamber Orchestra, Jeffrey Tate | B♭ Major | 1 | 6B | 88 BPM | ||
The Indian Queen, Z. 630, Act II: I Come to Sing Great Zempoalla’s Story | Henry Purcell, The Sixteen, Harry Christophers, Matthew Long | B Major | 2 | 1B | 75 BPM | ||
The Indian Queen, Z. 630, Act IV: They Tell Us That Your Mighty Powers | Henry Purcell, The Sixteen, Harry Christophers, Kirsty Hopkins | A♭ Minor | 0 | 1A | 98 BPM |
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