"Wir glauben all an einen Gott (Formerly Attrib. J.S. Bach as BWV 740)[Arr. Whittaker for Piano]" by Johann Ludwig Krebs, Jonathan Plowright had its release date on August 31, 2010. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 16 out of 20 in Bach: Piano Transcriptions, Vol. 9 – A Bach Book for Harriet Cohen by Johann Sebastian Bach, Jonathan Plowright, Johann Ludwig Krebs. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Based on our statistics, Wir glauben all an einen Gott (Formerly Attrib. J.S. Bach as BWV 740)[Arr. Whittaker for Piano]'s popularity is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Wir glauben all an einen Gott (Formerly Attrib. J.S. Bach as BWV 740)[Arr. Whittaker for Piano] by Johann Ludwig Krebs, Jonathan Plowright is Allegro (fast, quick, and bright), since this song has a tempo of 129 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 5/4.
This song is in the music key of C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Paulus, Op.36, MWV A14 / Part 1: No.3 Choral: "Allein Gott in der Höh' sei Ehr" | Felix Mendelssohn, MDR Leipzig Radio Chorus, GewandhausKinderchor, Gewandhausorchester, Kurt Masur | E♭ Major | 0 | 5B | 68 BPM | ||
Oboe Concerto in C Major, Op. 7 No. 12: I. Allegro | Tomaso Albinoni, Kostroma Chamber Orchestra, Oleg Yakubovich, Pavel Gerstein | A Major | 3 | 11B | 85 BPM | ||
Aria in D Minor "Rofilis", BuxWV 248 | Dietrich Buxtehude, Ensemble Mélero | A Major | 3 | 11B | 103 BPM | ||
Overture (Suite) In D Major, TWV 55:D15: VI. Prelude | Cologne Chamber Orchestra, Georg Philipp Telemann | D Major | 1 | 10B | 103 BPM | ||
Variasjoner over Med Jesus vil eg fara: V. Var 4 | Knut Nystedt, Anders Eidsten Dahl | E♭ Major | 0 | 5B | 69 BPM | ||
Trio on the chorale, "Allein Gott in der Höh' sei Ehr'." | TYOCP | A Minor | 2 | 8A | 80 BPM | ||
Ricercar in G Minor, FbWV 405, Pt. 4 | Johann Jakob Froberger, Gustav Auzinger | D Major | 1 | 10B | 176 BPM | ||
Nun komm, der Heiden Heiland Buxwv 211 | Dietrich Buxtehude, Leonardo Carrieri | A♭ Major | 0 | 4B | 119 BPM | ||
Atys, LWV 53: Act III, Scene 4 Entrée des songes agréables | Jean-Baptiste Lully, Le Concert Tribuot, Laurent Beyhurst | F♯ Major | 3 | 2B | 109 BPM | ||
6 Sonates meleese de pieces, Op. 2: V. Sonata in D major "La Chauvet”: VI. Gavotta "La Dedale" | Michel Blavet, Claudio Ferrarini, Accademia Farnese | A♭ Major | 0 | 4B | 119 BPM |