Jean-Baptiste Lully, Céline Frisch made "Suite in G Minor: VI. Sarabande Dieux des Enfers (La naissance de Vénus, Acte II Scène 6, LWV 27)" available on 2004. With Suite in G Minor: VI. Sarabande Dieux des Enfers (La naissance de Vénus, Acte II Scène 6, LWV 27) being less than two minutes long, at 1:38, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 19 out of 43 in d'Anglebert: Pièces de clavecin & airs d'après M. de Lully by Céline Frisch, Café Zimmermann. In terms of popularity, Suite in G Minor: VI. Sarabande Dieux des Enfers (La naissance de Vénus, Acte II Scène 6, LWV 27) is currently not that popular. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
The tempo marking of Suite in G Minor: VI. Sarabande Dieux des Enfers (La naissance de Vénus, Acte II Scène 6, LWV 27) by Jean-Baptiste Lully, Céline Frisch is Andante (at a walking pace), since this song has a tempo of 98 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of F♯ Major. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sonata a 5 in G Minor, Op. 2, No. 6: III. Grave | Tomaso Albinoni, Capella Istropolitana, Jaroslav Krcek | G Minor | 0 | 6A | 94 BPM | ||
Sonata Op.5, No.10: Sarabanda | Arcangelo Corelli, Stephen Stubbs, Maxine Eilander, Erin Headley, Milos Valent | D♭ Minor | 0 | 12A | 86 BPM | ||
Marche de triomphe, H. 547/1 | Marc-Antoine Charpentier, Le Concert Spirituel, Herve Niquet | C Major | 4 | 8B | 99 BPM | ||
Nulla in mundo pax, RV 630: 1. Nulla in mundo pax | Antonio Vivaldi, Emma Kirkby, Academy of Ancient Music, Christopher Hogwood | E♭ Major | 1 | 5B | 99 BPM | ||
Le Bourgeois Gentilhomme, LWV 43: 1er Air des Espagnols - Sarabande (1670) | Jean-Baptiste Lully, Jordi Savall, Le Concert Des Nations | A♭ Major | 2 | 4B | 99 BPM | ||
Membra Jesu Nostri, BuxWV 75, Ad pedes: Concerto "Ecce super montes pedes evangelizantis" | Dietrich Buxtehude, Ricercar Consort, Philippe Pierlot, Maria Keohane, Hanna Bayodi, Carlos Mena, Jeffrey Thompson, Matthias Vieweg | F Minor | 2 | 4A | 131 BPM | ||
Acis & Galatée: Ouverture (Prologue) | Jean-Baptiste Lully, Les Musiciens du Louvre, Marc Minkowski | C Minor | 1 | 5A | 128 BPM | ||
Alceste, LWV 50: Loure pour les Pêcheurs (1674) | Jean-Baptiste Lully, Jordi Savall, Le Concert Des Nations | B♭ Major | 4 | 6B | 125 BPM | ||
Oboe Concerto in G Minor, Op. 9, No. 8: III. Allegro | Tomaso Albinoni, Anthony Camden, London Virtuosi, John Georgiadis | G Minor | 3 | 6A | 108 BPM | ||
Le Tic-Toc-Choc | François Couperin, Sarah O'Brien | A Major | 1 | 11B | 87 BPM |
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