- BPM
- 77
- Key
- A Major
- Camelot
- 11B
Jane Eyre, Act II: Silence. Silence (Jane, Rochester, Mrs. Rochester) - Michael Berkeley, Michael Rafferty, Music Theatre Wales Ensemble, Andrew Slater, Natasha Marsh, Emily Bauer-Jones Information
- Acousticness
- 85%
- Danceability
- 7%
- Energy
- 2%
- Instrumentalness
- 17%
- Liveness
- 15%
- Loudness
- 45%
- Speechiness
- 4%
- Valence
- 4%
- Popularity
- 0%
- Loudness
- -32.735 dB
Summary
"Jane Eyre, Act II: Silence. Silence (Jane, Rochester, Mrs. Rochester)" by Michael Berkeley, Michael Rafferty, Music Theatre Wales Ensemble, Andrew Slater, Natasha Marsh, Emily Bauer-Jones was released on September 1, 2002. The duration of Jane Eyre, Act II: Silence. Silence (Jane, Rochester, Mrs. Rochester) is about 3 minutes long, at 3:05. Based on our data, "Jane Eyre, Act II: Silence. Silence (Jane, Rochester, Mrs. Rochester)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 18 out of 20 in Berkeley: Jane Eyre by Michael Berkeley, Michael Rafferty, Music Theatre Wales Ensemble, Natasha Marsh, Fflur Wyn, Beverley Mills, Emily Bauer-Jones, Andrew Slater. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Jane Eyre, Act II: Silence. Silence (Jane, Rochester, Mrs. Rochester) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Jane Eyre, Act II: Silence. Silence (Jane, Rochester, Mrs. Rochester) BPM
The tempo marking of Jane Eyre, Act II: Silence. Silence (Jane, Rochester, Mrs. Rochester) by Michael Berkeley, Michael Rafferty, Music Theatre Wales Ensemble, Andrew Slater, Natasha Marsh, Emily Bauer-Jones is Andante (at a walking pace), since this song has a tempo of 77 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
Jane Eyre, Act II: Silence. Silence (Jane, Rochester, Mrs. Rochester) Key
This song is in the music key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Suite For Violin And String Orchestra, Op. 117: 2. Evening in Spring | Jean Sibelius, Esther Yoo, Philharmonia Orchestra, Vladimir Ashkenazy | D♭ Minor | 1 | 12A | 140 BPM | |
 | Cantabile in D Major, Op. 17 | Niccolò Paganini, 東 亮汰, 髙木竜馬 | G Minor | 1 | 6A | 90 BPM | |
 | Organ Sonata: I. Ricercare | Michael Berkeley, Tom Winpenny | F Major | 2 | 7B | 76 BPM | |
 | First Meeting (Souvenir) | Eric Coates, Timothy Ridout, James Baillieu | F Major | 1 | 7B | 77 BPM | |
 | A Foggy Day | Carrie Baynes | D♭ Major | 1 | 3B | 81 BPM | |
 | Piano Trio No. 3 in C Minor, Op. 101: II. Presto non assai | Johannes Brahms, Trio Sōra | F Minor | 0 | 4A | 106 BPM | |
 | Sonata No. 3 in A Major for Cello and Piano, Op. 69 : IIIa. Adagio cantabile | Ludwig van Beethoven, Jungin Huh, Ilya Rashkovskiy | D Major | 2 | 10B | 182 BPM | |
 | Nocturne No. 8 in A Major, H. 46 | John Field, Michael Collins, Michael McHale | A Major | 0 | 11B | 74 BPM | |
 | Sollima: Il concerto perduto: I. Allegro (After Vivaldi's Cello Concerto, RV 787 "Per Teresa") | Antonio Vivaldi, Giovanni Sollima, Il Pomo D'oro | B Major | 0 | 1B | 133 BPM | |
 | Romance for Violin and Piano, Op.23 | Amy Beach, 대니 구(Danny Koo) | F♯ Major | 2 | 2B | 132 BPM |
- ISRC
- GBLWD0210218
- Label
- L-M Records/RCA Records
Section: 0.6621851921081543
End: 0.667618989944458