"Quatre motets pour le temps de Noël, FP 152: I. O magnum mysterium" by Francis Poulenc, Choir of King's College, Cambridge, Stephen Cleobury had its release date on June 1, 2015. The duration of This song is about two minutes long, specifically at 2:51. This song does not appear to have any foul language. Quatre motets pour le temps de Noël, FP 152: I. O magnum mysterium's duration is considered a little bit shorter than the average duration of a typical track. The song is number 6 out of 13 in Evensong Live 2015 by Stephen Cleobury, Choir of King's College, Cambridge. In terms of popularity, Quatre motets pour le temps de Noël, FP 152: I. O magnum mysterium is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Quatre motets pour le temps de Noël, FP 152: I. O magnum mysterium by Francis Poulenc, Choir of King's College, Cambridge, Stephen Cleobury is Moderato (at a moderate speed), since this song has a tempo of 116 BPM. With that information, we can conclude that the song has a moderate tempo. This song can go great with walking. The time signature for this track is 1/4.
B♭ Minor is the music key of this track. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Allegro molto in C Minor | Fanny Mendelssohn, Heather Schmidt | F Minor | 2 | 4A | 79 BPM | ||
2 Aquarelles: Lento, ma non troppo | Frederick Delius, Royal Northern Sinfonia, David Lloyd-Jones | B♭ Major | 1 | 6B | 72 BPM | ||
Gloria, FP 144: 2. Laudamus te | Francis Poulenc, Kathleen Battle, Boston Symphony Orchestra, Seiji Ozawa, Tanglewood Festival Chorus, John Oliver | F Major | 2 | 7B | 139 BPM | ||
Du bist die Ruh, Op. 59/3, D. 776 | Franz Schubert, Mischa Maisky, Daria Hovora | E♭ Major | 0 | 5B | 67 BPM | ||
Gloria, FP 144: 1. Gloria | Francis Poulenc, Kathleen Battle, Boston Symphony Orchestra, Seiji Ozawa, Tanglewood Festival Chorus, John Oliver | C Major | 3 | 8B | 109 BPM | ||
Valse Mélancolique | Vladimir Rebikov, Christopher Ferreira | B Minor | 1 | 10A | 113 BPM | ||
Choral-Vatiationen: Var. I. In canone all'Ottava | Igor Stravinsky, Philippe Herreweghe, Royal Flemish Philharmonic, Collegium Vocale Gent | C Major | 1 | 8B | 93 BPM | ||
Piano Sextet, S. 100: I. Allegro vivace. Très vite et emporté | Francis Poulenc, The Reykjavik Wind Quintet, Vovka Ashkenazy | E Minor | 1 | 9A | 131 BPM | ||
24 Preludes, Op. 11: No. 4 in E Minor | Alexander Scriabin, Evgeny Zarafiants | F Major | 1 | 7B | 99 BPM | ||
44 Duos for 2 Violins, BB 104, Vol. 1: Parosito (Teasing Song) | Béla Bartók, György Pauk, Kazuki Sawa | B Minor | 0 | 10A | 112 BPM |