Jan Dismas Zelenka, Collegium 1704, Collegium Vocale 1704, Vaclav Luks made "Credo, ZWV 32: I. Credo" available on March 20, 2020. The duration of Credo, ZWV 32: I. Credo is about two minutes long, specifically at 2:02. This song does not appear to have any foul language. Credo, ZWV 32: I. Credo's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Jan Dismas Zelenka, Collegium 1704, Collegium Vocale 1704, Vaclav Luks's "Missa 1724" album is number 11 out of 20. In terms of popularity, Credo, ZWV 32: I. Credo is currently not that popular. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Credo, ZWV 32: I. Credo by Jan Dismas Zelenka, Collegium 1704, Collegium Vocale 1704, Vaclav Luks to be Moderato (at a moderate speed) because the track has a tempo of 110 BPM, a half-time of 55BPM, and a double-time of 220 BPM. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 4/4.
This song is in the music key of D♭ Minor. This also means that this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
6 Sonatas, ZWV 81, No. 6 in C Minor: IV. Allegro | Jan Dismas Zelenka, Stefan Schilli, François Leleux, Marco Postinghel, Philippe Malfeyt, Beatrice Martin, Heinrich Braun | C Minor | 1 | 5A | 147 BPM | ||
Kyrie de quarti toni | Francesc Valls i Galan, Henry Moderlak, Joan Boronat Sanz, Carla Brunet | D♭ Major | 1 | 3B | 73 BPM | ||
Gott Hilf Mir, BuxWV 34: Concerto Fürchte dich nicht | Dietrich Buxtehude, Ricercar Consort, Philippe Pierlot, Maria Keohane, Hanna Bayodi, Carlos Mena, Jeffrey Thompson, Matthias Vieweg | C Minor | 2 | 5A | 90 BPM | ||
St. John Passion, BWV 245, Pt. II: Chorale. Ruht wohl, ihr heiligen Gebeine (Chorus) | Johann Sebastian Bach, Arion Orchestre Baroque, Alexander Weimann, Les Voix Baroques | F♯ Major | 0 | 2B | 59 BPM | ||
Missa votiva, E-Moll, ZWV 18: VIII. Gloria. Qui sedes ad dexteram Patris | Jan Dismas Zelenka, Marburger Bach-Chor, Hessisches Bach-Kollegium, Wolfram Wehnert, Christiane Hampe, Elisabeth Graf, Joachim Duska, Joachim Gebhard | D♭ Major | 3 | 3B | 86 BPM | ||
Motetto de S. Joanne Baptista: III. Coro. Alleluia | František Tůma, Andreas Scholl, Czech Ensemble Baroque, Roman Válek | B Major | 2 | 1B | 83 BPM | ||
Stabat Mater in G Minor: XI. Quando corpus morietur | Frantisek Tuma, Collegium 1704, Collegium vocale 1704, Vaclav Luks | B Minor | 2 | 10A | 103 BPM | ||
Missa votiva, E-Moll, ZWV 18: XX. Agnus Dei. Dona nobis pacem | Jan Dismas Zelenka, Marburger Bach-Chor, Hessisches Bach-Kollegium, Wolfram Wehnert, Christiane Hampe, Elisabeth Graf, Joachim Duska, Joachim Gebhard | E Minor | 2 | 9A | 85 BPM | ||
Scarlatti, D: Stabat Mater in C Minor: VII. Juxta crucem | Domenico Scarlatti, John Eliot Gardiner, English Baroque Soloists, The Monteverdi Choir | C Minor | 1 | 5A | 60 BPM | ||
Stabat Mater, P. 77: XII. Quando corpus - Amen | Giovanni Battista Pergolesi, Shira Patchornik, Maarten Engeltjes, PRJCT Amsterdam | F♯ Minor | 2 | 11A | 101 BPM |
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