"La Damnation de Faust, Op. 24 / Part 1: Ronde des Paysans. "Les bergers quittent leurs troupeaux"" by Hector Berlioz, Keith Lewis, Philharmonia Orchestra, Myung-Whun Chung, Philharmonia Chorus, David Hill, Simon Halsey was released on January 1, 1998. The duration of La Damnation de Faust, Op. 24 / Part 1: Ronde des Paysans. "Les bergers quittent leurs troupeaux" is about 3 minutes long, at 3:21. Based on our data, "La Damnation de Faust, Op. 24 / Part 1: Ronde des Paysans. "Les bergers quittent leurs troupeaux"" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 2 out of 44 in Berlioz: La Damnation de Faust by Hector Berlioz, Anne Sofie von Otter, Bryn Terfel, Keith Lewis, Victor von Halem, Philharmonia Orchestra, Myung-Whun Chung. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Based on our statistics, La Damnation de Faust, Op. 24 / Part 1: Ronde des Paysans. "Les bergers quittent leurs troupeaux"'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of La Damnation de Faust, Op. 24 / Part 1: Ronde des Paysans. "Les bergers quittent leurs troupeaux" by Hector Berlioz, Keith Lewis, Philharmonia Orchestra, Myung-Whun Chung, Philharmonia Chorus, David Hill, Simon Halsey is Allegro (fast, quick, and bright), since this song has a tempo of 135 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No. 3 in D Minor, Part II: IV. Sehr langsam - Misterioso | Gustav Mahler, Leonard Bernstein, New York Philharmonic | A Major | 0 | 11B | 82 BPM | ||
Violin Concerto in D Minor, Op. 47: III. Allegro, ma non tanto | Jean Sibelius, Anne-Sophie Mutter, Staatskapelle Dresden, André Previn | D Major | 2 | 10B | 112 BPM | ||
St. Paul's Suite, Op. 29 No. 2, H 118: 3. Intermezzo: Andante con moto | Gustav Holst, Saint Paul Chamber Orchestra, Christopher Hogwood | E Minor | 0 | 9A | 136 BPM | ||
Double Concerto in A Minor, Op. 102 for Violin, Cello and Orchestra: III. Vivace non troppo | Johannes Brahms, Joshua Bell, Steven Isserlis, Academy of St. Martin in the Fields | A Minor | 2 | 8A | 86 BPM | ||
String Quartet No. 19 in C Major, K. 465 "Dissonance": I. Adagio - Allegro | Wolfgang Amadeus Mozart, Emerson String Quartet | C Major | 1 | 8B | 74 BPM | ||
Prince Igor / Act 2: Dance of the Polovtsian Maidens | Alexander Borodin, Bavarian Radio Symphony Orchestra, Esa-Pekka Salonen | F Major | 1 | 7B | 100 BPM | ||
Variations On An Original Theme, Op.36 "Enigma": 2. H.D.S.-P. (Allegro) | Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein | G Minor | 1 | 6A | 113 BPM | ||
The Hebrides, Op. 26 (Fingal's Cave) | Felix Mendelssohn, Wiener Philharmoniker, Christoph von Dohnányi | A Minor | 3 | 8A | 96 BPM | ||
Suite pastorale: II. Danse villageoise | Emmanuel Chabrier, Wiener Philharmoniker, John Eliot Gardiner | A Major | 1 | 11B | 126 BPM | ||
Carmen Suite No. 1 (Arr. E. Guiraud): V. Les dragons d'Alcala | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | F Minor | 0 | 4A | 60 BPM |
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