"Tristan und Isolde / Act 1: "Auf! Auf! Ihr Frauen!"" by Richard Wagner, Margaret Price, Brigitte Fassbaender, Dietrich Fischer-Dieskau, Staatskapelle Dresden, Carlos Kleiber was released on January 1, 1982. Since Tristan und Isolde / Act 1: "Auf! Auf! Ihr Frauen!" is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. This song is part of Wagner: Tristan und Isolde by Richard Wagner, Carlos Kleiber. The song's track number on the album is #5 out of 29 tracks. Tristan und Isolde / Act 1: "Auf! Auf! Ihr Frauen!" is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Tristan und Isolde / Act 1: "Auf! Auf! Ihr Frauen!" by Richard Wagner, Margaret Price, Brigitte Fassbaender, Dietrich Fischer-Dieskau, Staatskapelle Dresden, Carlos Kleiber has a tempo of 78 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Tristan und Isolde / Act 1: "Auf! Auf! Ihr Frauen!" being at 78 BPM, the half-time would be 39 BPM with a double-time of 156 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
This song has a musical key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Jenufa / Act 1: Co ty, Jenufo | Leoš Janáček, Marie Mrazova, Peter Dvorsky, Elisabeth Söderström, Vaclav Zitek, Vienna State Opera Chorus, Wiener Philharmoniker, Sir Charles Mackerras | A♭ Major | 3 | 4B | 145 BPM | ||
Elektra, Op. 58, TrV 223: "Wo bleibt Elektra?" | Richard Strauss, Cvetka Ahlin, Margarita Sjostedt, Sieglinde Wagner, Judith Hellwig, Gerda Scheyrer, Ilona Steingruber, Staatskapelle Dresden, Karl Böhm | D♭ Major | 5 | 3B | 179 BPM | ||
Salome, Op. 54 / Scene 3: "Du bist verflucht" | Richard Strauss, Cheryl Studer, Bryn Terfel, Orchester der Deutschen Oper Berlin, Giuseppe Sinopoli | C Minor | 0 | 5A | 64 BPM | ||
Im Frühling, D. 882 | Franz Schubert, Dietrich Fischer-Dieskau, Gerald Moore | F Major | 0 | 7B | 118 BPM | ||
Symphony No. 7 in A Major, Op. 92: IV. Allegro con brio | Ludwig van Beethoven, Wiener Philharmoniker, Carlos Kleiber | A Major | 4 | 11B | 75 BPM | ||
Eugene Onegin, Op. 24, TH. 5 / Act II: "A, vot oni!" | Pyotr Ilyich Tchaikovsky, Neil Shicoff, Thomas Allen, Gunter Emmerlich, Staatskapelle Dresden, James Levine | E Minor | 2 | 9A | 78 BPM | ||
Stabat mater, op.58: 6. Tenore e Coro "Fac me vere tecum flere" | Antonín Dvořák, Johan Botha, Chor der Sächsischen Staatsoper Dresden; see Dresden State Opera Chorus, Matthias Brauer, Staatskapelle Dresden, Giuseppe Sinopoli | B Major | 1 | 1B | 81 BPM | ||
Tristan und Isolde, WWV 90 / Act 1: "Hab acht, Tristan!" - Live | Richard Wagner, Bernd Weikl, Peter Hofmann, Yvonne Minton, Bavarian Radio Chorus, Bavarian Radio Symphony Orchestra, Leonard Bernstein | F Major | 1 | 7B | 166 BPM | ||
Der Freischütz, J. 277 / Act II: "Wie? Was? Entsetzen!" | Carl Maria von Weber, Gundula Janowitz, Edith Mathis, Peter Schreier, Staatskapelle Dresden, Carlos Kleiber | E♭ Major | 2 | 5B | 83 BPM | ||
Madama Butterfly / Act 1: Bimba, bimba, non piangere | Giacomo Puccini, Luciano Pavarotti, Mirella Freni, Christa Ludwig, Vienna State Opera Chorus, Wiener Philharmoniker, Herbert von Karajan | B♭ Major | 0 | 6B | 87 BPM |
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