Requeim in C Minor, ZWV. 48
Jan Dismas Zelenka, Il Fondamento, Il Fondamento Choir, Paul Dombrecht
Zelenka: De Profundis, Misere & Requiem
0:34 October 31, 2012
BPM
106
Key
D♭ Minor
Camelot
12A

Embed

Share Link

Requeim in C Minor, ZWV. 48 - Jan Dismas Zelenka, Il Fondamento, Il Fondamento Choir, Paul Dombrecht Information

Acousticness
99%
Danceability
24%
Energy
14%
Instrumentalness
83%
Liveness
11%
Loudness
63%
Speechiness
4%
Valence
4%
Popularity
Loudness
-22.147 dB

Summary

"Requeim in C Minor, ZWV. 48" by Jan Dismas Zelenka, Il Fondamento, Il Fondamento Choir, Paul Dombrecht was released on October 31, 2012. With Requeim in C Minor, ZWV. 48 being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. This song is part of Zelenka: De Profundis, Misere & Requiem by Jan Dismas Zelenka, Il Fondamento, Il Fondamento Choir, Monkia Frimmer, Peter de Groot, Ian Honeyman, Peter Kooij, Paul Dombrecht. The song's track number on the album is #12 out of 31 tracks. In terms of popularity, Requeim in C Minor, ZWV. 48 is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Requeim in C Minor, ZWV. 48 BPM

Since Requeim in C Minor, ZWV. 48 by Jan Dismas Zelenka, Il Fondamento, Il Fondamento Choir, Paul Dombrecht has a tempo of 106 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Requeim in C Minor, ZWV. 48 being at 106 BPM, the half-time would be 53 BPM with a double-time of 212 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.

Requeim in C Minor, ZWV. 48 Key

This song is in the music key of D♭ Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Motettum de tempore: III. Recitativo. Inter tanta pericla by František Tůma, Andreas Scholl, Czech Ensemble Baroque, Roman VálekMotettum de tempore: III. Recitativo. Inter tanta periclaFrantišek Tůma, Andreas Scholl, Czech Ensemble Baroque, Roman VálekB Major21B83 BPM
Gott Hilf Mir, BuxWV 34: Gott, hilf mir by Dietrich Buxtehude, Ricercar Consort, Philippe Pierlot, Matthias ViewegGott Hilf Mir, BuxWV 34: Gott, hilf mirDietrich Buxtehude, Ricercar Consort, Philippe Pierlot, Matthias ViewegC Minor25A90 BPM
6 Sonatas, ZWV 181, No. 1 in F Major: III. Larghetto by Jan Dismas Zelenka, Paul Dombrecht, Marcel Ponseele, Danny Bond, Richte Van Der Meer, Robert Kohnen6 Sonatas, ZWV 181, No. 1 in F Major: III. LarghettoJan Dismas Zelenka, Paul Dombrecht, Marcel Ponseele, Danny Bond, Richte Van Der Meer, Robert KohnenB Minor110A101 BPM
Missa pro Defunctis in E-Flat Major, HocJ A1.3: VI. Benedictus, 1. Benedictus qui venit in nomine Domini by Niccolò Jommelli, Gudrun Sidonie Otto, Il Gardellino, Peter Van HeyghenMissa pro Defunctis in E-Flat Major, HocJ A1.3: VI. Benedictus, 1. Benedictus qui venit in nomine DominiNiccolò Jommelli, Gudrun Sidonie Otto, Il Gardellino, Peter Van HeyghenB Minor110A142 BPM
Saul, HWV 53: Act I Scene 5: Air: O Lord, whose Mercies numberless (David) by George Frideric Handel, Stephan MacLeod, David Cordier, Knut Schoch, Barbara Schlick, Claron McFadden, Marcel Beekman, Gotthold Schwarz, Junge Kantorei, Frankfurt Baroque Orchestra, Joachim Carlos MartiniSaul, HWV 53: Act I Scene 5: Air: O Lord, whose Mercies numberless (David)George Frideric Handel, Stephan MacLeod, David Cordier, Knut Schoch, Barbara Schlick, Claron McFadden, Marcel Beekman, Gotthold Schwarz, Junge Kantorei, Frankfurt Baroque Orchestra, Joachim Carlos MartiniE Major012B61 BPM
Ich habe genug, BWV 82: I. Ich habe genug (Aria) by Johann Sebastian Bach, Miriam Feuersinger, Capricornus Consort BaselIch habe genug, BWV 82: I. Ich habe genug (Aria)Johann Sebastian Bach, Miriam Feuersinger, Capricornus Consort BaselB Major51B96 BPM
Stabat Mater in F Minor, P. 77: IV. Quae moerebat et dolebat by Giovanni Battista Pergolesi, Christopher Lowrey, Les Talens Lyriques, Christophe RoussetStabat Mater in F Minor, P. 77: IV. Quae moerebat et dolebatGiovanni Battista Pergolesi, Christopher Lowrey, Les Talens Lyriques, Christophe RoussetC Minor15A58 BPM
Missa Sancti Pauli: No. 18, Crucifixus by Francesco Bartolomeo Conti, Adriána Kalafszky, Peter Bárány, Zoltán Megyesi, Thomas Dolie, Purcell Choir, Orfeo Orchestra, Gyorgy VashegyiMissa Sancti Pauli: No. 18, CrucifixusFrancesco Bartolomeo Conti, Adriána Kalafszky, Peter Bárány, Zoltán Megyesi, Thomas Dolie, Purcell Choir, Orfeo Orchestra, Gyorgy VashegyiD Major110B94 BPM
Les Indes galantes, RCT 44, Prologue: Entrée de la suite d'Hébé by Jean-Philippe Rameau, Orfeo Orchestra, Gyorgy VashegyiLes Indes galantes, RCT 44, Prologue: Entrée de la suite d'HébéJean-Philippe Rameau, Orfeo Orchestra, Gyorgy VashegyiF♯ Major22B124 BPM
Laudate Pueri: VII. Gloria Patri by Giovanni Bononcini, Owen Rees, The Choir of The Queen's College OxfordLaudate Pueri: VII. Gloria PatriGiovanni Bononcini, Owen Rees, The Choir of The Queen's College OxfordA Major111B85 BPM
ISRC
This song does not have an ISRC.
Label
L-M Records/RCA Records

Section: 0.6118237972259521

End: 0.6153252124786377