"Requeim in C Minor, ZWV. 48" by Jan Dismas Zelenka, Il Fondamento, Il Fondamento Choir, Paul Dombrecht was released on October 31, 2012. With Requeim in C Minor, ZWV. 48 being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. This song is part of Zelenka: De Profundis, Misere & Requiem by Jan Dismas Zelenka, Il Fondamento, Il Fondamento Choir, Monkia Frimmer, Peter de Groot, Ian Honeyman, Peter Kooij, Paul Dombrecht. The song's track number on the album is #12 out of 31 tracks. In terms of popularity, Requeim in C Minor, ZWV. 48 is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Requeim in C Minor, ZWV. 48 by Jan Dismas Zelenka, Il Fondamento, Il Fondamento Choir, Paul Dombrecht has a tempo of 106 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Requeim in C Minor, ZWV. 48 being at 106 BPM, the half-time would be 53 BPM with a double-time of 212 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
This song is in the music key of D♭ Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Motettum de tempore: III. Recitativo. Inter tanta pericla | František Tůma, Andreas Scholl, Czech Ensemble Baroque, Roman Válek | B Major | 2 | 1B | 83 BPM | ||
Gott Hilf Mir, BuxWV 34: Gott, hilf mir | Dietrich Buxtehude, Ricercar Consort, Philippe Pierlot, Matthias Vieweg | C Minor | 2 | 5A | 90 BPM | ||
6 Sonatas, ZWV 181, No. 1 in F Major: III. Larghetto | Jan Dismas Zelenka, Paul Dombrecht, Marcel Ponseele, Danny Bond, Richte Van Der Meer, Robert Kohnen | B Minor | 1 | 10A | 101 BPM | ||
Missa pro Defunctis in E-Flat Major, HocJ A1.3: VI. Benedictus, 1. Benedictus qui venit in nomine Domini | Niccolò Jommelli, Gudrun Sidonie Otto, Il Gardellino, Peter Van Heyghen | B Minor | 1 | 10A | 142 BPM | ||
Saul, HWV 53: Act I Scene 5: Air: O Lord, whose Mercies numberless (David) | George Frideric Handel, Stephan MacLeod, David Cordier, Knut Schoch, Barbara Schlick, Claron McFadden, Marcel Beekman, Gotthold Schwarz, Junge Kantorei, Frankfurt Baroque Orchestra, Joachim Carlos Martini | E Major | 0 | 12B | 61 BPM | ||
Ich habe genug, BWV 82: I. Ich habe genug (Aria) | Johann Sebastian Bach, Miriam Feuersinger, Capricornus Consort Basel | B Major | 5 | 1B | 96 BPM | ||
Stabat Mater in F Minor, P. 77: IV. Quae moerebat et dolebat | Giovanni Battista Pergolesi, Christopher Lowrey, Les Talens Lyriques, Christophe Rousset | C Minor | 1 | 5A | 58 BPM | ||
Missa Sancti Pauli: No. 18, Crucifixus | Francesco Bartolomeo Conti, Adriána Kalafszky, Peter Bárány, Zoltán Megyesi, Thomas Dolie, Purcell Choir, Orfeo Orchestra, Gyorgy Vashegyi | D Major | 1 | 10B | 94 BPM | ||
Les Indes galantes, RCT 44, Prologue: Entrée de la suite d'Hébé | Jean-Philippe Rameau, Orfeo Orchestra, Gyorgy Vashegyi | F♯ Major | 2 | 2B | 124 BPM | ||
Laudate Pueri: VII. Gloria Patri | Giovanni Bononcini, Owen Rees, The Choir of The Queen's College Oxford | A Major | 1 | 11B | 85 BPM |
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