Richard Strauss, Pierre Fournier, Giusto Cappone, Berliner Philharmoniker, Herbert von Karajan made "Don Quixote, Op. 35, TrV 184: Variation IX (Schnell und stürmisch)" available on January 1, 1998. With Don Quixote, Op. 35, TrV 184: Variation IX (Schnell und stürmisch) being less than two minutes long, at 1:05, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 16 in the song's album "Strauss, R.: Don Quixote; Horn Concerto No.2". In this album, this song's track order is #11. Furthermore, we believe that the track originated from Germany. In terms of popularity, Don Quixote, Op. 35, TrV 184: Variation IX (Schnell und stürmisch) is currently not that popular. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
With Don Quixote, Op. 35, TrV 184: Variation IX (Schnell und stürmisch) by Richard Strauss, Pierre Fournier, Giusto Cappone, Berliner Philharmoniker, Herbert von Karajan having a BPM of 102 with a half-time of 51 BPM and a double-time of 204 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song has a musical key of E♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No. 8, Zweiter Teil: IX. Gerettet ist das edle Glied der Geisterwelt vom Bösen | Gustav Mahler, Berliner Philharmoniker, Sir Simon Rattle, Rundfunkchor Berlin, MDR Leipzig Radio Chorus, Knaben des Staats- und Domchors Berlin | E♭ Major | 2 | 5B | 133 BPM | ||
La Bohème / Act 1: "Si sente meglio?" | Giacomo Puccini, Luciano Pavarotti, Mirella Freni, Berliner Philharmoniker, Herbert von Karajan | D Minor | 1 | 7A | 124 BPM | ||
Violin Concerto No. 1 in A Minor, BWV 1041: I. Allegro - Arranged for Flute | Johann Sebastian Bach, Cord Garben, Sefika Kutluer, Berliner Philharmoniker | A Minor | 2 | 8A | 101 BPM | ||
Symphony No.7 In D Minor, Op.70: 1. Allegro maestoso | Antonín Dvořák, Berliner Philharmoniker, Rafael Kubelík | G Major | 2 | 9B | 74 BPM | ||
Symphony No. 8, Zweiter Teil: XII. Bei der Liebe, die den Füßen | Gustav Mahler, Berliner Philharmoniker, Sir Simon Rattle, Erika Sunnegardh, Lilli Paasikivi, Nathalie Stutzmann | G Minor | 1 | 6A | 86 BPM | ||
Symphony No. 8 in B Minor, D. 759 "Unfinished": 1. Allegro moderato | Franz Schubert, Berliner Philharmoniker, Herbert von Karajan | B Minor | 1 | 10A | 107 BPM | ||
Peer Gynt Suite No. 1, Op. 46: IV. In the Hall of the Mountain King | Edvard Grieg, Berliner Philharmoniker, Herbert von Karajan | G Major | 2 | 9B | 76 BPM | ||
Concerto for Orchestra, Sz. 116: 4. Intermezzo interrotto (Allegretto) | Béla Bartók, Berliner Philharmoniker, Herbert von Karajan | F Major | 0 | 7B | 96 BPM | ||
Symphony No. 9 in C, D.944 - "The Great": 1. Andante - Allegro ma non troppo | Franz Schubert, Berliner Philharmoniker, Herbert von Karajan | C Major | 2 | 8B | 131 BPM | ||
Symphony No. 8 in C Minor, Op. 65: V. Allegretto | Dmitri Shostakovich, Berliner Philharmoniker, Kirill Petrenko | C Major | 1 | 8B | 93 BPM |
Section: 0.6642286777496338
End: 0.6694426536560059