- BPM
- 83
- Key
- G Major
- Camelot
- 9B
Offenbach: La Vie parisienne: Gaîté parisienne - Can-Can No. 4 (From Orphée aux enfers) - Jacques Offenbach, Manuel Rosenthal, Orchestre National de l'Opéra de Monte-Carlo Information
- Acousticness
- 55%
- Danceability
- 58%
- Energy
- 67%
- Instrumentalness
- 97%
- Liveness
- 8%
- Loudness
- 75%
- Speechiness
- 6%
- Valence
- 51%
- Popularity
- 1%
- Loudness
- -15.061 dB
Summary
Jacques Offenbach, Manuel Rosenthal, Orchestre National de l'Opéra de Monte-Carlo made "Offenbach: La Vie parisienne: Gaîté parisienne - Can-Can No. 4 (From Orphée aux enfers)" available on January 27, 2017. With Offenbach: La Vie parisienne: Gaîté parisienne - Can-Can No. 4 (From Orphée aux enfers) being less than two minutes long, at 1:07, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Various Artists, William Christie's "Les plus belles musiques de ballet - Radio Classique" album is number 27 out of 50. Offenbach: La Vie parisienne: Gaîté parisienne - Can-Can No. 4 (From Orphée aux enfers) is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
Offenbach: La Vie parisienne: Gaîté parisienne - Can-Can No. 4 (From Orphée aux enfers) BPM
We consider the tempo marking of Offenbach: La Vie parisienne: Gaîté parisienne - Can-Can No. 4 (From Orphée aux enfers) by Jacques Offenbach, Manuel Rosenthal, Orchestre National de l'Opéra de Monte-Carlo to be Andante (at a walking pace) because the track has a tempo of 83 BPM, a half-time of 42BPM, and a double-time of 166 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
Offenbach: La Vie parisienne: Gaîté parisienne - Can-Can No. 4 (From Orphée aux enfers) Key
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Music For The Royal Fireworks: Suite HWV 351: 1. Ouverture | George Frideric Handel, The English Concert, Trevor Pinnock | D♭ Major | 4 | 3B | 136 BPM | |
 | Werther: "Pourquoi me réveiller, ô souffle du printemps?" | Jules Massenet, Benjamin Bernheim, PKF – Prague Philharmonia, Emmanuel Villaume | F♯ Minor | 1 | 11A | 79 BPM | |
 | 5 Military Marches, Op. 39, "Pomp and Circumstance": No. 1 in D Major | Edward Elgar, New Zealand Symphony Orchestra, James Judd | D Major | 3 | 10B | 127 BPM | |
 | Moment Musical in F Minor, Op. 94, No. 3, D. 780 (arr. for chamber ensemble) | Anonymous , Franz Schubert, Budapest Strings, Bela Banfalvi | F Minor | 0 | 4A | 101 BPM | |
 | Orphée aux enfers, ACT 1, Deuxième tableau: l'Olympe: Eh hop! Eh hop! (Jupiter/Mercure/Junon) | Jacques Offenbach, Laurent Naouri/Etienne Lescroart/Orchestre de l'Opéra National de Lyon/Orchestre de Chambre de Grenoble/Marc Minkowski, Marc Minkowski, Sébastien Rouland, Choeur & Orchestre De L'Opéra National De Lyon, Orchestre de Chambre de Grenoble, Orchestre De L'Opéra National De Lyon | D Minor | 2 | 7A | 72 BPM | |
 | Dvořák: Symphony No. 9 in E Minor, Op. 95, B. 178 "From the New World": I. Adagio - Allegro molto | Antonín Dvořák, Oslo Philharmonic Orchestra, Mariss Jansons | E Minor | 1 | 9A | 112 BPM | |
 | The Four Seasons - Violin Concerto in F Major, Op. 8 No. 3, RV 293 "Autumn": I. Allegro | Antonio Vivaldi, Joshua Bell, Academy of St. Martin in the Fields | F Major | 1 | 7B | 109 BPM | |
 | Les Sylphides: 7. Valse | Frédéric Chopin, National Philharmonic Orchestra, Richard Bonynge | D♭ Minor | 1 | 12A | 79 BPM | |
 | Danse bohémienne, Op. 28 | Jacques Offenbach, Raphaela Gromes, Julian Riem | D Major | 1 | 10B | 150 BPM | |
 | The Thieving Magpie - From “A Clockwork Orange" | Gioachino Rossini, National Philharmonic Orchestra, Riccardo Chailly | E Major | 2 | 12B | 89 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 0.6421372890472412
End: 0.6454739570617676