"Fedora: "Amor ti vieta" (Loris) - Full Vocal Version" by Umberto Giordano, Compagnia D'Opera Italiana, Antonello Gotta, Stefano Secco was released on 1997. The duration of Fedora: "Amor ti vieta" (Loris) - Full Vocal Version is about two minutes long, specifically at 2:16. This song does not appear to have any foul language. Fedora: "Amor ti vieta" (Loris) - Full Vocal Version's duration is considered a little bit shorter than the average duration of a typical track. The song is number 1 out of 18 in Cantolopera: Arias for Dramatic Tenor by Shin Young-Hoon, Antonello Gotta, Compagnia D'Opera Italiana. Going off of the ISRC code of this track, we detected that the origin of this track is from Italy. Fedora: "Amor ti vieta" (Loris) - Full Vocal Version is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Fedora: "Amor ti vieta" (Loris) - Full Vocal Version by Umberto Giordano, Compagnia D'Opera Italiana, Antonello Gotta, Stefano Secco is Larghetto (rather broadly), since this song has a tempo of 66 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song has a musical key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Il Barbiere di Siviglia: All'idea di quel metallo - Highlights | Gioachino Rossini, Samuel Ramey, Enzo Dara, Marilyn Horne, Leo Nucci, Paolo Barbacini, Riccardo Chailly | C Major | 1 | 8B | 120 BPM | ||
Il valzer dell'organino | Leo Nucci, Salotto Ottocento Ensemble | F Major | 2 | 7B | 88 BPM | ||
Roméo et Juliette, CG 9 / Act 1: "Ah, je veux vivre dans ce rève" | Charles Gounod, Aida Garifullina, Vienna Radio Symphony Orchestra, Cornelius Meister | C Major | 3 | 8B | 77 BPM | ||
Il Barbiere di Siviglia: La calunnia è un venticello | Gioachino Rossini, Samuel Ramey, Enzo Dara, Marilyn Horne, Leo Nucci, Paolo Barbacini, Riccardo Chailly, Orchestra Del Teatro Alla Scala, Milano | D Major | 1 | 10B | 93 BPM | ||
Carmina Burana / 3. Cour d'amours: "In trutina" | Carl Orff, Norma Burrowes, Royal Philharmonic Orchestra, Antal Doráti | D Major | 0 | 10B | 85 BPM | ||
Le nozze di Figaro, K.492 / Act 2: "Porgi amor" | Wolfgang Amadeus Mozart, Kiri Te Kanawa, Metropolitan Opera Orchestra, James Levine | C Minor | 1 | 5A | 61 BPM | ||
Il barbiere di Siviglia / Act 1: "Largo al factotum" | Gioachino Rossini, Leo Nucci, Orchestra del Teatro Comunale di Bologna, Giuseppe Patanè | G Major | 2 | 9B | 69 BPM | ||
Il Maestro di Capella: Sinfonia | Domenico Cimarosa, Orchestra of the Royal Opera House, Covent Garden, Argeo Quadri | D Major | 3 | 10B | 74 BPM | ||
Adriana Lecouvreur: La dolcissima effigie | Francesco Cilea, Piotr Beczala, Orquestra de la Comunitat Valenciana, Marco Boemi | A♭ Major | 2 | 4B | 79 BPM | ||
Semele, Act II: "Where'er You Walk" | George Frideric Handel, Leontyne Price, Henry Lewis | B♭ Major | 2 | 6B | 131 BPM |
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