- BPM
- 99
- Key
- E Minor
- Camelot
- 9A
Die Frau ohne Schatten, Op. 65, TrV 234 / Act 2: Wer da? - Live - Richard Strauss, Walter Berry, Leonie Rysanek, Vienna State Opera Orchestra, Karl Böhm Information
- Acousticness
- 93%
- Danceability
- 13%
- Energy
- 16%
- Instrumentalness
- 30%
- Liveness
- 83%
- Loudness
- 59%
- Speechiness
- 4%
- Valence
- 4%
- Popularity
- 2%
- Loudness
- -24.635 dB
Summary
"Die Frau ohne Schatten, Op. 65, TrV 234 / Act 2: Wer da? - Live" by Richard Strauss, Walter Berry, Leonie Rysanek, Vienna State Opera Orchestra, Karl Böhm was released on January 1, 1985. The duration of Die Frau ohne Schatten, Op. 65, TrV 234 / Act 2: Wer da? - Live is about two minutes long, specifically at 2:35. This song does not appear to have any foul language. Die Frau ohne Schatten, Op. 65, TrV 234 / Act 2: Wer da? - Live's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 39 in the song's album "Strauss, R.: Die Frau ohne Schatten". In this album, this song's track order is #8. Furthermore, we believe that the track originated from Germany. In terms of popularity, Die Frau ohne Schatten, Op. 65, TrV 234 / Act 2: Wer da? - Live is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Die Frau ohne Schatten, Op. 65, TrV 234 / Act 2: Wer da? - Live BPM
With Die Frau ohne Schatten, Op. 65, TrV 234 / Act 2: Wer da? - Live by Richard Strauss, Walter Berry, Leonie Rysanek, Vienna State Opera Orchestra, Karl Böhm having a BPM of 99 with a half-time of 50 BPM and a double-time of 198 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
Die Frau ohne Schatten, Op. 65, TrV 234 / Act 2: Wer da? - Live Key
This song has a musical key of E Minor. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Cello Concerto No. 1 in A Minor, Op. 33: I. Allegro non troppo | Camille Saint-Saëns, Mischa Maisky, Orpheus Chamber Orchestra | F Major | 2 | 7B | 131 BPM | |
 | Notturno for Strings and Harp | Arnold Schoenberg, Daniel Hope, Zürcher Kammerorchester, Jane Berthe | A♭ Major | 1 | 4B | 75 BPM | |
 | 4 Pieces, Op. 51: 4. Danse languide | Alexander Scriabin, Evgeny Kissin | E♭ Major | 0 | 5B | 74 BPM | |
 | Symphonie fantastique, Op. 14, H 48: V. Songe d'une nuit de sabbat | Hector Berlioz, London Symphony Orchestra, Sir Colin Davis | C Minor | 1 | 5A | 60 BPM | |
 | Symphony No. 1 in D Major: 3. Feierlich und gemessen, ohne zu schleppen - Live | Gustav Mahler, Berliner Philharmoniker, Claudio Abbado | G Minor | 0 | 6A | 56 BPM | |
 | Béatrice et Bénédict, Op. 27, H 138: Ouverture | Hector Berlioz, London Symphony Orchestra, Sir Colin Davis | G Major | 0 | 9B | 101 BPM | |
 | Sorochintsi Fair, Act I: Gopak (Hopak) | Modest Mussorgsky, Slovak Philharmonic, Kenneth Jean | G Major | 2 | 9B | 127 BPM | |
 | Cavalleria rusticana: Intermezzo sinfonico | Pietro Mascagni, Staatskapelle Dresden, Silvio Varviso | F Major | 0 | 7B | 88 BPM | |
 | Le roi s'amuse: Passepied | Léo Delibes, Slovak Philharmonic, Ondrej Lenard | A Major | 1 | 11B | 88 BPM | |
 | Brook Green Suite: I. Prelude | Gustav Holst, English Sinfonia, Howard Griffiths | F Major | 2 | 7B | 123 BPM |
- ISRC
- DEF057730322
- Label
- L-M Records/RCA Records
Section: 0.8444218635559082
End: 0.8477859497070312