"Symphony No. 2: II. Andante con moto" by Erwin Schulhoff, Bavarian Radio Symphony Orchestra, James Conlon was released on January 1, 2004. With this song being about 5 minutes long, at 5:12, "Symphony No. 2: II. Andante con moto" by Erwin Schulhoff, Bavarian Radio Symphony Orchestra, James Conlon is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 14 in the song's album "Schulhoff, E.: Symphonies Nos. 2 and 5 / Suite". In this album, this song's track order is #12. Furthermore, we believe that the track originated from Germany. In terms of popularity, Symphony No. 2: II. Andante con moto is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Symphony No. 2: II. Andante con moto by Erwin Schulhoff, Bavarian Radio Symphony Orchestra, James Conlon having a BPM of 94 with a half-time of 47 BPM and a double-time of 188 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
F Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
String Quartet N 20 Mov 1 Mazurka Version Musescore 4 | Luca Schettino | B Major | 1 | 1B | 113 BPM | ||
Rapsódia Sertaneja | Luciano Gallet, Cristian Budu | G Major | 3 | 9B | 107 BPM | ||
Pastorales 2020: IV. Larghetto | Valentin Silvestrov, Daniel Hope, Alexey Botvinov | G Major | 1 | 9B | 127 BPM | ||
Suite populaire espagnole (Arr. for Cello & Piano): IV. Polo | Manuel de Falla, Duo Arnicans | A Minor | 2 | 8A | 115 BPM | ||
Finale. Andante quasi introduzione - Allegro molto | Erwin Schulhoff, Alma Quartet Amsterdam | A Minor | 1 | 8A | 111 BPM | ||
Sonata for Piano No. 3: II. Andante tranquillo quasi improvisazione | Erwin Schulhoff, Tomáš Víšek | B Minor | 0 | 10A | 130 BPM | ||
Bernstein: Symphony No. 2 "The Age of Anxiety", Pt. 1: The Seven Stages. Variation IX | Leonard Bernstein, Antonio Pappano, Beatrice Rana, Orchestra dell'Accademia Nazionale di Santa Cecilia | F Minor | 3 | 4A | 114 BPM | ||
String Quartet No. 1 in C Major, Op. 49: II. Moderato | Dmitri Shostakovich, Quatuor Danel | G Major | 0 | 9B | 89 BPM | ||
Apollon Musagète, K. 048: V. Variation de Polymnie | Igor Stravinsky, BBC Philharmonic, Andrew Davis | A Minor | 0 | 8A | 97 BPM | ||
Pulcinella, Ballet in One Act After Pergolesi for Soprano, Tenor, Bass, Soloists and Orchestra: XIV. Tarantella (Allegro moderato) | Igor Stravinsky, Vladimir Jurowski, London Philharmonic Orchestra | G Minor | 0 | 6A | 140 BPM |
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