Diego Pisador, Toyohiko Satoh made "Libro de música de vihuela - Libro 7: No. 176. La Cortesía (Villanesca)" available on January 1, 2006. The duration of Libro de música de vihuela - Libro 7: No. 176. La Cortesía (Villanesca) is about two minutes long, specifically at 2:21. This song does not appear to have any foul language. Libro de música de vihuela - Libro 7: No. 176. La Cortesía (Villanesca)'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 16 in the song's album "The Art of Spanish Variations". In this album, this song's track order is #15. Furthermore, we believe that the track originated from Netherlands. Libro de música de vihuela - Libro 7: No. 176. La Cortesía (Villanesca) is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Libro de música de vihuela - Libro 7: No. 176. La Cortesía (Villanesca) by Diego Pisador, Toyohiko Satoh having a BPM of 76 with a half-time of 38 BPM and a double-time of 152 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
F♯ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Trattado de glosas: Recercadas primera y quarta sobre tenores: I. | Diego Ortiz, Les Basses Réunies, Bruno Cocset | B Major | 1 | 1B | 97 BPM | ||
Libro I d'intavolatura di lauto: Toccata No. 7 | Giovanni Girolamo Kapsberger, Konrad Junghanel | E Major | 1 | 12B | 107 BPM | ||
En la fuente del rosel | Juan Vasquez, Diego Pisador, Isabel Garcisanz, Jean-Patrice Brosse | G Minor | 1 | 6A | 112 BPM | ||
Lachrimae or Seven Tears: XIV. The Earl of Essex Galliard | John Dowland, Phantasm, Elizabeth Kenny | E Major | 1 | 12B | 112 BPM | ||
Tres libros de música en cifra para vihuela - Libro 1: No. 13. Romenesca "O guárdame las vacas" (en cinco maneras) | Alonso Mudarra, Toyohiko Satoh | C Minor | 1 | 5A | 92 BPM | ||
The Dancing Master: Come live with me and be my love | John Playford, The Broadside Band, Jeremy Barlow | C Major | 0 | 8B | 75 BPM | ||
O crux benedicta | Mignarda | A♭ Minor | 0 | 1A | 90 BPM | ||
The Frog Galliard, P. 23 | John Dowland, Nigel North | G Major | 1 | 9B | 109 BPM | ||
Morenica, dame un beso | Miguel de Fuenllana, Shirley Rumsey | C Major | 0 | 8B | 119 BPM | ||
Armoniosi toni di varie suonate musicali, Op. 7: Passacaglia | Giovanni Battista Granata, Pierre Pitzl, Private Musicke | D♭ Minor | 0 | 12A | 110 BPM |
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