"Piano Concerto No.2 in D Minor, Op.40, MWV O11: 3. Finale. Presto scherzando" by Felix Mendelssohn, András Schiff, Bavarian Radio Symphony Orchestra, Charles Dutoit was released on January 1, 1983. Since Piano Concerto No.2 in D Minor, Op.40, MWV O11: 3. Finale. Presto scherzando is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Felix Mendelssohn, András Schiff, Bavarian Radio Symphony Orchestra, Charles Dutoit's "Mendelssohn: Piano Concertos Nos.1 & 2" album is number 6 out of 6. On top of that, United Kingdom appears to be the country where this track was created. Piano Concerto No.2 in D Minor, Op.40, MWV O11: 3. Finale. Presto scherzando is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Piano Concerto No.2 in D Minor, Op.40, MWV O11: 3. Finale. Presto scherzando by Felix Mendelssohn, András Schiff, Bavarian Radio Symphony Orchestra, Charles Dutoit to be Andante (at a walking pace) because the track has a tempo of 77 BPM, a half-time of 38BPM, and a double-time of 154 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
F♯ Minor is the music key of this track. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Bruch: Violin Concerto No. 1 in G Minor, Op. 26: I. Prelude. Allegro moderato | Max Bruch, Maxim Vengerov, Kurt Masur, Gewandhausorchester Leipzig | E♭ Major | 1 | 5B | 113 BPM | ||
Il barbiere di Siviglia: Overture (Sinfonia) | Gioachino Rossini, Bavarian Radio Symphony Orchestra, Bruno Bartoletti | E Major | 3 | 12B | 98 BPM | ||
Overture, Scherzo and Finale, Op. 52: Scherzo - Vivo | Robert Schumann, Seattle Symphony Orchestra, Gerard Schwarz | B♭ Major | 3 | 6B | 125 BPM | ||
Sonatina No. 1, Op. 67: II. Largo | Jean Sibelius, Leif Ove Andsnes | F♯ Minor | 0 | 11A | 112 BPM | ||
Violin Concerto in D Major: III. Aria II | Igor Stravinsky, Sir Neville Marriner, Academy of St. Martin in the Fields, Hilary Hahn | G Major | 1 | 9B | 84 BPM | ||
Prelude and Fugue in E flat minor / D sharp minor (WTK, Book I, No. 8), BWV 853 | Johann Sebastian Bach, András Schiff | E♭ Minor | 1 | 2A | 76 BPM | ||
Piano Concerto No. 1 in D Minor, Op. 15: 3. Rondo. Allegro non troppo | Johannes Brahms, András Schiff, Orchestra of the Age of Enlightenment | D Major | 1 | 10B | 78 BPM | ||
Octet In E Flat, Op.20, MWV R20: 2. Andante | Felix Mendelssohn, Academy of St. Martin in the Fields, Iona Brown, Malcolm Latchem, Roger Garland, Andrew McGee, Stephen Shingles, Anthony Jenkins, Denis Vigay, Roger Smith | A♭ Major | 0 | 4B | 80 BPM | ||
5 Piano Pieces, Op. 3, TrV 105: No. 1. Andante | Richard Strauss, Stefan Veselka | B♭ Major | 2 | 6B | 77 BPM | ||
Vieuxtemps: Violin Concerto No. 5 in A Minor, Op. 37: II. Adagio | Henri Vieuxtemps, Itzhak Perlman, Daniel Barenboim, Orchestre de Paris | A Major | 2 | 11B | 93 BPM |
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