"Barcarolle (From Les contes d’Hoffmann)" by Jacques Offenbach, Gautier Capuçon, Orchestre de chambre de Paris, Lionel Bringuier was released on November 3, 2023. With this song being around four minutes long, at 3:41, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 19 out of 22 in Destination Paris by Gautier Capuçon. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. The popularity of Barcarolle (From Les contes d’Hoffmann) is currently below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Barcarolle (From Les contes d’Hoffmann) by Jacques Offenbach, Gautier Capuçon, Orchestre de chambre de Paris, Lionel Bringuier is Presto (very, very fast), since this song has a tempo of 184 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 3/4.
This song is in the music key of F♯ Minor. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Barcarolle (From Les contes d’Hoffmann) | Jacques Offenbach, Gautier Capuçon, Orchestre de chambre de Paris, Lionel Bringuier | F♯ Minor | 1 | 11A | 184 BPM | ||
Offenbach, Rosenthal: Gaîté parisienne: No. 8, Valse (From "Orphée aux enfers") | Jacques Offenbach, Manuel Rosenthal, Herbert von Karajan, Philharmonia Orchestra | D Major | 1 | 10B | 172 BPM | ||
Les Quatres Saisons: Concerto En Fa Mineur, RV 297 "L'hiver": II. Largo | Academy of St. Martin in the Fields, Iona Brown | B♭ Major | 2 | 6B | 130 BPM | ||
Pelléas et Mélisande, Op. 80: 4. Sicilienne | Gabriel Fauré, Boston Symphony Orchestra, Seiji Ozawa | F Major | 2 | 7B | 98 BPM | ||
Salut d'amour, Op. 12 | Edward Elgar, Nicola Benedetti, Petr Limonov | E Major | 1 | 12B | 73 BPM | ||
Un homme et une femme | Gautier Capuçon, Jerome Ducros, Orchestre de chambre de Paris, Lionel Bringuier | D Major | 1 | 10B | 64 BPM | ||
Poco Adagio (4e Symphonie, 3e Movement) | José van Dam | G Major | 1 | 9B | 173 BPM | ||
La Grande Duchess de Gerolstein, Acte III (Tableau 2): No 19: Entracte et Galop | Jacques Offenbach, Felicity Lott, Sandrine Piau, Yann Beuron, Choeur des Musiciens du Louvre, Les Musiciens du Louvre, Grenoble, Marc Minkowski | D Major | 4 | 10B | 92 BPM | ||
Cello Concerto No.2 in E minor, Op.30: I Allegro impetuoso | Victor Herbert, Gautier Capuçon, hr-Sinfonieorchester Frankfurt, Paavo Järvi | C Major | 1 | 8B | 86 BPM | ||
Liszt: Lieder aus Franz Schubert's "Schwanengesang", S. 560: No. 7 Ständchen | Franz Liszt, Mariam Batsashvili | A Minor | 1 | 8A | 120 BPM |
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