"II. Adagio from Concierto de Aranjuez for Guitar and Orchestra" by Joaquín Rodrigo, Louis Frémaux, Philharmonia Orchestra, John Williams, Christine Pendrill was released on 2005. II. Adagio from Concierto de Aranjuez for Guitar and Orchestra appears to be safe for all ages as it is not explicit. There are a total of 41 in the song's album "The Ultimate Guitar Collection". In this album, this song's track order is #1. II. Adagio from Concierto de Aranjuez for Guitar and Orchestra is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With II. Adagio from Concierto de Aranjuez for Guitar and Orchestra by Joaquín Rodrigo, Louis Frémaux, Philharmonia Orchestra, John Williams, Christine Pendrill having a BPM of 73 with a half-time of 36 BPM and a double-time of 146 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of B Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Tango Jalousie | Jacob Gade, Yo-Yo Ma, Kathryn Stott | D Major | 1 | 10B | 78 BPM | ||
Carmen Suite No. 1 (Arr. E. Guiraud): IV. Séguedille | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | D Major | 0 | 10B | 176 BPM | ||
Melody from « Orfeo » | Christoph Willibald Gluck, Roberto Giordano | G Minor | 2 | 6A | 115 BPM | ||
Rachmaninov / Transcr. Balsom: 14 Romances, Op. 34: No. 14, Vocalise | Sergei Rachmaninoff, Alison Balsom, Edward Gardner, Göteborg Symfoniker | D♭ Minor | 1 | 12A | 87 BPM | ||
Warsaw Concerto | Richard Addinsell, Jean-Yves Thibaudet, BBC Symphony Orchestra, Hugh Wolff | B Major | 1 | 1B | 76 BPM | ||
Mendelssohn: 6 Lieder ohne Worte, Book 6, Op. 67: II. Allegro leggiero | Felix Mendelssohn, Leif Ove Andsnes | F♯ Minor | 1 | 11A | 182 BPM | ||
Aria antigua (Version for Flute & Guitar) | Joaquín Rodrigo, Marianne Gedigian, Celil Refik Kaya | D Minor | 0 | 7A | 83 BPM | ||
Dvorák: Rusalka, Op. 114, B. 203, Act I: Song to the Moon | Antonín Dvořák, Gautier Capuçon, Adrien Perruchon, Orchestre de chambre de Paris | F♯ Major | 1 | 2B | 89 BPM | ||
Orpheo ed Euridice, Wq. 30, Act II: Dance of the Blessed Spirits | Christoph Willibald Gluck, Eugene Ormandy, Philadelphia Orchestra | D Minor | 1 | 7A | 67 BPM | ||
Apariciones: Valses Romanticos: Sensitive | Enrique Granados, Douglas Riva | C Minor | 0 | 5A | 143 BPM |
Section: 1.0133655071258545
End: 1.018634557723999