Giacomo Puccini, Katia Ricciarelli, Ruggero Raimondi, Berliner Philharmoniker, Herbert von Karajan's 'Tosca / Act II: "Ed or fra noi parliam da buoni amici"' came out on January 1, 1980. With Tosca / Act II: "Ed or fra noi parliam da buoni amici" being less than two minutes long, at 1:10, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 31 in the song's album "Puccini: Tosca". In this album, this song's track order is #15. In terms of popularity, Tosca / Act II: "Ed or fra noi parliam da buoni amici" is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Tosca / Act II: "Ed or fra noi parliam da buoni amici" by Giacomo Puccini, Katia Ricciarelli, Ruggero Raimondi, Berliner Philharmoniker, Herbert von Karajan having a BPM of 113 with a half-time of 56 BPM and a double-time of 226 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 4/4.
This song is in the music key of E♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Manon Lescaut / Act 2: Paga costor! | Giacomo Puccini, Mirella Freni, Dwayne Croft, Metropolitan Opera Orchestra, James Levine | D Major | 0 | 10B | 74 BPM | ||
Don Giovanni, K. 527: Orsù, chi mi dici mai | Wolfgang Amadeus Mozart, Ruggero Raimondi, José van Dam, Lorin Maazel | B♭ Major | 2 | 6B | 92 BPM | ||
Il Barbiere di Siviglia (1996 Digital Remaster): Insomma io ho tutti i torti ... (Figaro/Conte/Rosina/Basilio/Bartolo) | Gioachino Rossini, Beverly Sills, Nicolai Gedda, Sherrill Milnes, Renato Capecchi, Ruggero Raimondi, Michael Rippon, John Alldis Choir, Joseph Galiano, London Symphony Orchestra, James Levine, Fedora Barbieri | G Major | 2 | 9B | 67 BPM | ||
Puccini: Turandot, Act 2: "Guizza al pari di fiamma" (Turandot, Altoum, Coro, Liù) | Giacomo Puccini, Antonio Pappano, Coro dell'Accademia Nazionale Di Santa Cecilia, Ermonela Jaho, Michael Spyres, Sondra Radvanovsky, Orchestra dell'Accademia Nazionale di Santa Cecilia | E Minor | 0 | 9A | 87 BPM | ||
Requiem: IIh. Ingemisco | Giuseppe Verdi, Carlo Cossutta, Berliner Philharmoniker, Herbert von Karajan | C Minor | 1 | 5A | 82 BPM | ||
Die Walküre, WWV 86B / Act III: "Wo ist Brünnhild', wo die Verbrecherin?" | Richard Wagner, Liselotte Rebmann, Ingrid Steger, Lilo Brockhaus, Danica Mastilovic, Carlotta Ordassy, Barbro Ericson, Cvetka Ahlin, Helga Jenckel, Thomas Stewart, Berliner Philharmoniker, Herbert von Karajan | F Major | 3 | 7B | 100 BPM | ||
Lucia di Lammermoor / Act 3: "Si tragga altrove" | Gaetano Donizetti, Pier Francesco Poli, Sherrill Milnes, Nicolai Ghiaurov, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | F Minor | 3 | 4A | 133 BPM | ||
Verdi: Il trovatore, Act 4 Scene 1: "D'amor sull'ali rosee" (Leonora) | Giuseppe Verdi, Maria Callas, Orchestra Del Teatro Alla Scala, Milano, Herbert von Karajan | D Major | 2 | 10B | 169 BPM | ||
Götterdämmerung, WWV 86D / Act I: "Seit er von dir geschieden, zur Schlacht nicht mehr schickte uns Wotan" | Richard Wagner, Christa Ludwig, Berliner Philharmoniker, Herbert von Karajan | G Major | 3 | 9B | 92 BPM | ||
Tosca / Act 1: "Ah, quegli occhi..." - "Qual occhio al mondo può star di paro" | Giacomo Puccini, Carol Vaness, Giuseppe Giacomini, Philadelphia Orchestra, Riccardo Muti | F♯ Minor | 1 | 11A | 110 BPM |
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