"Verdi: Il trovatore, Act 4 Scene 1: "D'amor sull'ali rosee" (Leonora)" by Giuseppe Verdi, Maria Callas, Orchestra Del Teatro Alla Scala, Milano, Herbert von Karajan was released on 1957. With this song being around four minutes long, at 4:01, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. This song is part of Verdi: Il Trovatore by Giuseppe Verdi, Herbert von Karajan. The song's track number on the album is #10 out of 52 tracks. Based on our data, Italy was the country where this track was produced or recorded. The popularity of Verdi: Il trovatore, Act 4 Scene 1: "D'amor sull'ali rosee" (Leonora) is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Verdi: Il trovatore, Act 4 Scene 1: "D'amor sull'ali rosee" (Leonora) by Giuseppe Verdi, Maria Callas, Orchestra Del Teatro Alla Scala, Milano, Herbert von Karajan has a tempo of 169 beats per a minute, the tempo markings of this song would be Vivace (lively and fast). With Verdi: Il trovatore, Act 4 Scene 1: "D'amor sull'ali rosee" (Leonora) being at 169 BPM, the half-time would be 84 BPM with a double-time of 338 BPM.In addition, we consider the tempo speed to be pretty fast for this song. The time signature for this track is 3/4.
This song is in the music key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Ponchielli :La Gioconda, Act 1: "O monumento!" (Barnaba) | Amilcare Ponchielli, Piero Cappuccilli, Antonino Votto, Orchestra Del Teatro Alla Scala, Milano | G Major | 2 | 9B | 93 BPM | ||
Cavalleria rusticana: "Mamma, quel vino è generoso" | Pietro Mascagni, Maria Gracia Allegri, Carlo Bergonzi, Orchestra Del Teatro Alla Scala, Milano, Herbert von Karajan, Coro Del Teatro Alla Scala Di Milano | A♭ Major | 3 | 4B | 92 BPM | ||
O tu che in seno agli Angeli | Mario del Monaco | D Major | 2 | 10B | 93 BPM | ||
Pagliacci / Act 1: "Vesti la giubba" | Ruggero Leoncavallo, Plácido Domingo, Orchestra Del Teatro Alla Scala, Milano, Georges Prêtre | E Major | 3 | 12B | 91 BPM | ||
La traviata / Act 1: "Follie! Delirio vano è questo!" - "Sempre libera" | Giuseppe Verdi, Kiri Te Kanawa, Alfredo Kraus, Orchestra del Maggio Musicale Fiorentino, Zubin Mehta | D♭ Major | 1 | 3B | 91 BPM | ||
Macbeth / Act I: Coro di Streghe: "Che faceste? dite su!" | Giuseppe Verdi, Piero Cappuccilli, Giovanni Foiani, Orchestra Del Teatro Alla Scala, Milano, Claudio Abbado, Coro Del Teatro Alla Scala Di Milano, Romano Gandolfi | F Major | 2 | 7B | 86 BPM | ||
Verdi: Ernani, Act 1: "Surta è la notte" - "Ernani, Ernani, involami" (Elvira) | Giuseppe Verdi, Maria Callas, Nicola Rescigno, Philharmonia Orchestra | B♭ Major | 2 | 6B | 164 BPM | ||
Falstaff / Act I: "Falstaff!" - "Olà!" - "Sir John Falstaff!" | Giuseppe Verdi, Enrico Facini, Bryn Terfel, Anthony Mee, Anatolij Kotscherga, Berliner Philharmoniker, Claudio Abbado | C Major | 3 | 8B | 68 BPM | ||
Ah! Tardai troppo… O luce di quest anima (from Linda di Chamounix) | Dame Joan Sutherland, Paris Conservatoire Orchestra, Nello Santi | C Major | 1 | 8B | 109 BPM | ||
Bellini: Norma: Act 2: "Mira, o Norma" (Adalgisa, Norma) | Vincenzo Bellini, Maria Callas, Christa Ludwig, Tullio Serafin, Orchestra Del Teatro Alla Scala, Milano | E♭ Major | 0 | 5B | 79 BPM |
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