Piano Concerto No. 21 in C Major, K. 467 "Elvira Madigan": II. Andante - Wolfgang Amadeus Mozart, Murray Perahia, English Chamber Orchestra Information

Acousticness: 98%
Danceability: 17%
Energy: 4%
Instrumentalness: 92%
Liveness: 10%
Loudness: 57%
Speechiness: 4%
Valence: 10%
Popularity: 40%
Loudness: -25.788 dB

Summary

"Piano Concerto No. 21 in C Major, K. 467 "Elvira Madigan": II. Andante" by Wolfgang Amadeus Mozart, Murray Perahia, English Chamber Orchestra was released on 1976. Since Piano Concerto No. 21 in C Major, K. 467 "Elvira Madigan": II. Andante is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Wolfgang Amadeus Mozart, Murray Perahia's "Mozart: The Complete Piano Concertos" album is number 2 out of 83. The popularity of Piano Concerto No. 21 in C Major, K. 467 "Elvira Madigan": II. Andante is currently average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Piano Concerto No. 21 in C Major, K. 467 "Elvira Madigan": II. Andante BPM

We consider the tempo marking of Piano Concerto No. 21 in C Major, K. 467 "Elvira Madigan": II. Andante by Wolfgang Amadeus Mozart, Murray Perahia, English Chamber Orchestra to be Presto (very, very fast) because the track has a tempo of 184 BPM, a half-time of 92BPM, and a double-time of 368 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 3/4.

Piano Concerto No. 21 in C Major, K. 467 "Elvira Madigan": II. Andante Key

The music key of this track is F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Suite No. 5 in E Major, HWV 430: IV. Air con Variazioni "The Harmonious Blacksmith"	George Frideric Handel, Murray Perahia	E Major	1	12B	99 BPM
Schwanengesang, S. 560: Schubert - Schwanengesang, S. 560/R. 245: No. 7, Standchen (Leise flehen meine Lieder) [After F. Schubert]	Franz Liszt, Oxana Yablonskaya	D Major	0	10B	66 BPM
Thaïs: Méditation	Jules Massenet, Bomsori, NFM Wrocław Philharmonic, Giancarlo Guerrero	D Major	0	10B	84 BPM
La Traviata / Act 1: Prelude	Giuseppe Verdi, Bavarian State Orchestra, Carlos Kleiber	B Major	0	1B	131 BPM
Viola Concerto in G Major, TWV 51:G9: I. Largo	Georg Philipp Telemann, Ladislav Kyselák, Capella Istropolitana, Richard Edlinger	G Major	1	9B	144 BPM
Concerto for 3 Pianos and Orchestra (No. 7) in F, K.242 "Lodron" - arr. Mozart for 2 pianos: 2. Adagio	Wolfgang Amadeus Mozart, Alfred Brendel, Imogen Cooper, Academy of St. Martin in the Fields, Sir Neville Marriner	A Major	1	11B	56 BPM
3 Romances sans paroles, Op. 17: No. 3 in A-Flat Major (Arr. P. Gouin for Cello & Piano)	Gabriel Fauré, Jesper Svedberg, Simon Crawford-Phillips	A Major	0	11B	79 BPM
Sinfonia in C major, RV 112: I. Allegro	Karoly Botvay	G Major	2	9B	119 BPM
Keyboard Sonata in D Minor, Kk. 1	Domenico Scarlatti, Ivo Pogorelich	D Minor	1	7A	107 BPM
Symphony No. 5 in C-Sharp Minor: IV. Adagietto (Sehr langsam)	Gustav Mahler, Berliner Philharmoniker, Claudio Abbado	F Major	0	7B	91 BPM

ISRC: This song does not have an ISRC.
Label: L-M Records/RCA Records

Section: 0.77036452293396

End: 0.7738971710205078