"Strauss: Der Stern (Op. 69. No. 1)" by Inger Dam-Jensen, Malcolm Martineau was released on January 1, 2011. With Strauss: Der Stern (Op. 69. No. 1) being less than two minutes long, at 1:52, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 365 in the song's album "The Year". In this album, this song's track order is #60. Furthermore, we believe that the track originated from United Kingdom. The popularity of Strauss: Der Stern (Op. 69. No. 1) is currently unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Strauss: Der Stern (Op. 69. No. 1) by Inger Dam-Jensen, Malcolm Martineau having a BPM of 173 with a half-time of 86 BPM and a double-time of 346 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 4/4.
This song is in the music key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No. 9 in E Minor, Op. 95, B. 178, "From the New World": IV. Largo. Goin' Home (Arr. Koncz For Solo Cello and Cello Ensemble) | Antonín Dvořák, Kian Soltani, Staatskapelle Berlin, Cellists | D♭ Major | 0 | 3B | 94 BPM | ||
Orfeo ed Euridice, Wq. 30 / Act II: Dance of the Blessed Spirits (Arr. by Mathieu Herzog for Cello and Strings) | Christoph Willibald Gluck, Camille Thomas, Brussels Philharmonic, Mathieu Herzog | B Minor | 1 | 10A | 87 BPM | ||
Nar svanen drommende pa strommen bolger (When the Swan Dreaming) | Peter Arnold Heise, Inger Dam-Jensen, Christen Stubbe Teglbjaerg | D♭ Minor | 0 | 12A | 77 BPM | ||
Violin Concerto No. 3 in G Major, K. 216: I. Allegro | Wolfgang Amadeus Mozart, Arabella Steinbacher, Festival Strings Lucerne (musical direction), Lucerne Festival Strings, Daniel Dodds | G Major | 1 | 9B | 119 BPM | ||
Requiem In D Minor, K.626: 7. Agnus Dei | Wolfgang Amadeus Mozart, Anna Tomowa-Sintow, Wiener Singverein, Wiener Philharmoniker, Herbert von Karajan | F Major | 1 | 7B | 87 BPM | ||
Peer Gynt, Op. 23: XXI. Scène nocturne | Edvard Grieg, Orchestre de la Suisse Romande, Guillaume Tourniaire, Le Motet De Genève, Dietrich Henschel, Inger Dam-Jensen, Sophie Koch | A Minor | 0 | 8A | 99 BPM | ||
Rachmaninov / Transcr. Balsom: 14 Romances, Op. 34: No. 14, Vocalise | Sergei Rachmaninoff, Alison Balsom, Edward Gardner, Göteborg Symfoniker | D♭ Minor | 1 | 12A | 87 BPM | ||
Solomon HWV 67 / Act 1: "Bless'd the day" | George Frideric Handel, Inger Dam-Jensen, Gabrieli, Paul McCreesh | A♭ Major | 1 | 4B | 113 BPM | ||
Strauss: Drei Lieder Der Ophelia (Op. 67 No. 3) | Malcolm Martineau, Inger Dam-Jensen | A♭ Minor | 0 | 1A | 177 BPM | ||
Centone di sonate, Op. 64, MS 112: Sonata No. 1 in A Minor: II. Rondoncino | Niccolò Paganini, Moshe Hammer, Norbert Kraft | A Major | 2 | 11B | 122 BPM |
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