"Carmen, WD 31, Act I: Act I: Reste-la maintenant (Jose)" by Georges Bizet, Giulietta Simionato, Rosanna Carteri, Giuseppe Di Stefano, Michel Roux, Graziella Sciutti, Luisa Ribacchi, Milan La Scala Chorus, Orchestra Del Teatro Alla Scala, Milano, The Audience, Herbert von Karajan was released on August 1, 2014. With this song being around four minutes long, at 4:07, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 10 out of 42 in Bizet: Carmen, WD 31 (Recorded 1952) by Georges Bizet, Herbert von Karajan. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Carmen, WD 31, Act I: Act I: Reste-la maintenant (Jose) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Carmen, WD 31, Act I: Act I: Reste-la maintenant (Jose) by Georges Bizet, Giulietta Simionato, Rosanna Carteri, Giuseppe Di Stefano, Michel Roux, Graziella Sciutti, Luisa Ribacchi, Milan La Scala Chorus, Orchestra Del Teatro Alla Scala, Milano, The Audience, Herbert von Karajan is Larghetto (rather broadly), since this song has a tempo of 62 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto for 2 Pianos and Orchestra (No.10) in E flat, K.365: 3. Rondeau (Allegro) | Wolfgang Amadeus Mozart, Alfred Brendel, Imogen Cooper, Academy of St. Martin in the Fields, Sir Neville Marriner | E♭ Major | 2 | 5B | 87 BPM | ||
Variations On An Original Theme, Op.36 "Enigma": 1. C.A.E. (L'istesso tempo) | Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein | G Minor | 0 | 6A | 81 BPM | ||
Concerto For 4 Violins in B Minor, Op. 3, No. 10, RV 580 : I. Allegro | Cologne Chamber Orchestra, Renee Ohldin, Corinne Chapelle, Christine Pichlmeier, Lucas Barr, Antonio Vivaldi | B Minor | 3 | 10A | 118 BPM | ||
21 Hungarian Dances, WoO 1: Hungarian Dance No. 11 in D Minor | Seattle Symphony Orchestra, Johannes Brahms, Gerard Schwarz | A Minor | 0 | 8A | 76 BPM | ||
Sinfonia in C major, RV 112: I. Allegro | Karoly Botvay | G Major | 2 | 9B | 119 BPM | ||
Madama Butterfly, SC 74 / Act 2: Addio fiorito asil | Giacomo Puccini, Freddie De Tommaso, Philharmonia Orchestra, Paolo Arrivabeni | B Minor | 2 | 10A | 89 BPM | ||
Carnival of the Animals, R. 125: Finale | Camille Saint-Saëns, Philippe Entremont, Gaby Casadesus, Yo-Yo Ma | C Major | 3 | 8B | 99 BPM | ||
Carmen (arr. N. Mercz): Intermezzo from the Opera "Carmen" | Nora Mercz, Georges Bizet, Janos Balint | E♭ Major | 0 | 5B | 72 BPM | ||
Carmen Suite No. 1: 3. Intermezzo | Georges Bizet, Orchestre de Paris, Semyon Bychkov | B♭ Major | 0 | 6B | 74 BPM | ||
Sorochinskaya yarmarka (Sorochintsi Fair): Gopak (Hopak) (arr. N. Rimsky-Korsakov for orchestra) | Modest Mussorgsky, Nikolai Rimsky-Korsakov, Ukraine National Symphony Orchestra, Theodore Kuchar | E♭ Major | 2 | 5B | 66 BPM |
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