Jacques Offenbach, Pittsburgh Symphony Orchestra, André Previn made "Gaîté parisienne: Mazurka (Allegro)" available on January 1, 1982. The duration of Gaîté parisienne: Mazurka (Allegro) is about two minutes long, specifically at 2:31. This song does not appear to have any foul language. Gaîté parisienne: Mazurka (Allegro)'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 22 in the song's album "Offenbach: Gaité Parisienne". In this album, this song's track order is #5. Furthermore, we believe that the track originated from Netherlands. Based on our statistics, Gaîté parisienne: Mazurka (Allegro)'s popularity is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Gaîté parisienne: Mazurka (Allegro) by Jacques Offenbach, Pittsburgh Symphony Orchestra, André Previn having a BPM of 144 with a half-time of 72 BPM and a double-time of 288 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 3/4.
This song is in the music key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Tales of Hoffmann: Barcarole | Jacques Offenbach, Ilmar Lapinsch, Mostar Sinfonie Orchester, Tibor Bauer, Drazan Milas | D Major | 1 | 10B | 71 BPM | ||
Beethoven: Symphony No. 7 in A Major, Op. 92: II. Allegretto | Ludwig van Beethoven, Wiener Philharmoniker, Sir Simon Rattle | E Minor | 0 | 9A | 57 BPM | ||
España - Rhapsody For Orchestra | Emmanuel Chabrier, Wiener Philharmoniker, John Eliot Gardiner | F Major | 3 | 7B | 129 BPM | ||
Polovetsian Dances from Prince Igor: Introduzione | Alexander Borodin, George Szell, Cleveland Orchestra | A Major | 1 | 11B | 83 BPM | ||
J. Strauss: Radetzky March | Johann Strauss I, Willi Boskovsky, Wiener Johann Strauss Orchester | A Major | 4 | 11B | 112 BPM | ||
Thaïs: Méditation | Jules Massenet, Bomsori, NFM Wrocław Philharmonic, Giancarlo Guerrero | D Major | 0 | 10B | 84 BPM | ||
Purcell : King Arthur : Air | William Christie | G Minor | 1 | 6A | 0 BPM | ||
Te Deum for Soloists, Chorus and Orchestra, H. 146: I. Prélude. Rondeau | Marc-Antoine Charpentier, Les Musiciens du Louvre, Marc Minkowski | C Major | 6 | 8B | 95 BPM | ||
Pictures at an Exhibition (Orch. Ravel): Promenade I | Modest Mussorgsky, Wiener Philharmoniker, Gustavo Dudamel | F Major | 0 | 7B | 88 BPM | ||
Il Trovatore / Act 3: "Di quella pira" | Giuseppe Verdi, Joseph Calleja, Angela Gheorghiu, Apollo Voices, Orquestra de la Comunitat Valenciana, Ramón Tebar | C Major | 4 | 8B | 80 BPM |
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