- BPM
- 97
- Key
- D Minor
- Camelot
- 7A
The Art Of Fugue, BWV 1080 - Version For String Quartet: Contrapunctus 12a - Johann Sebastian Bach, Emerson String Quartet Information
- Acousticness
- 96%
- Danceability
- 59%
- Energy
- 18%
- Instrumentalness
- 87%
- Liveness
- 19%
- Loudness
- 63%
- Speechiness
- 5%
- Valence
- 73%
- Popularity
- 0%
- Loudness
- -22.077 dB
Summary
Johann Sebastian Bach, Emerson String Quartet made "The Art Of Fugue, BWV 1080 - Version For String Quartet: Contrapunctus 12a" available on October 12, 2021. With The Art Of Fugue, BWV 1080 - Version For String Quartet: Contrapunctus 12a being less than two minutes long, at 1:49, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 298 out of 450 in Classics for Autumn: Bach by Johann Sebastian Bach, Various Artists. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. In terms of popularity, The Art Of Fugue, BWV 1080 - Version For String Quartet: Contrapunctus 12a is currently unknown. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The Art Of Fugue, BWV 1080 - Version For String Quartet: Contrapunctus 12a BPM
The tempo marking of The Art Of Fugue, BWV 1080 - Version For String Quartet: Contrapunctus 12a by Johann Sebastian Bach, Emerson String Quartet is Andante (at a walking pace), since this song has a tempo of 97 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
The Art Of Fugue, BWV 1080 - Version For String Quartet: Contrapunctus 12a Key
This song is in the music key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Goldberg Variations, BWV 988: Var. 1 | Johann Sebastian Bach, Murray Perahia | G Major | 3 | 9B | 106 BPM | |
 | Violin Concerto No. 2 In E Major, BWV 1042: III. Allegro assai | Johann Sebastian Bach, Daniel Lozakovich, Chamber Orchestra of the Bavarian Radio, Radoslaw Szulc, Olga Watts | E Major | 4 | 12B | 96 BPM | |
 | The Well-Tempered Clavier, Book 1, BWV 846-869: Prelude No. 1 in C major, BWV 846 | Luc Beauséjour | B Major | 3 | 1B | 78 BPM | |
 | Concerto Grosso In G Minor, Op. 3, No. 2, RV 578: I. Adagio E Spiccato - Allegro | Antonio Vivaldi, Capella Istropolitana | D Minor | 3 | 7A | 126 BPM | |
 | Sinfonia in E major, RV 132: III. Allegro | Karoly Botvay | E Major | 1 | 12B | 187 BPM | |
 | Bach, JS : Well-Tempered Clavier Book 1 : Prelude No.12 in F minor BWV857 | Daniel Barenboim | F Minor | 1 | 4A | 71 BPM | |
 | Les plaisirs: Sarabande | Jean-Baptiste Lully, Mary Enid Haines, Sharla Nafziger, Aradia Ensemble, Kevin Mallon | F♯ Minor | 0 | 11A | 144 BPM | |
 | Concerto For 2 Keyboards In C Minor, BWV 1060: III. Allegro | Cologne Chamber Orchestra, Michael Behringer, Robert Hill, Johann Sebastian Bach | C Minor | 4 | 5A | 104 BPM | |
 | Prelude In C Major, BWV 924 : Praeambulum In C Major, BWV 924 | Janos Sebestyen, Johann Sebastian Bach | C Major | 2 | 8B | 139 BPM | |
 | Sonata for Violin and Basso Continuo in G Major, TWV 41:G1: II. Allegro | Georg Philipp Telemann, Boris Begelman | F♯ Major | 4 | 2B | 116 BPM |
- ISRC
- DEN960330313
- Label
- L-M Records/RCA Records
Section: 0.877091646194458
End: 0.8813395500183105