"24 Preludes & Fugues, Op. 87: Fugue no.1 in C major. Moderato (4-voice)" by Dmitri Shostakovich, Alexander Melnikov was released on May 11, 2010. The duration of 24 Preludes & Fugues, Op. 87: Fugue no.1 in C major. Moderato (4-voice) is about 3 minutes long, at 3:15. Based on our data, "24 Preludes & Fugues, Op. 87: Fugue no.1 in C major. Moderato (4-voice)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 48 in the song's album "Shostakovich: 24 Preludes & Fugues". In this album, this song's track order is #2. Furthermore, we believe that the track originated from France. 24 Preludes & Fugues, Op. 87: Fugue no.1 in C major. Moderato (4-voice) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With 24 Preludes & Fugues, Op. 87: Fugue no.1 in C major. Moderato (4-voice) by Dmitri Shostakovich, Alexander Melnikov having a BPM of 73 with a half-time of 36 BPM and a double-time of 146 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
A Minor is the music key of this track. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Chamber Symphony in C Minor, Op. 110a (arr. R. Barshai from String Quartet No. 8 for orchestra): IV. Largo | Rudolf Barshai, Dmitri Shostakovich, Capella Istropolitana, Pawel Przytocki | D♭ Major | 0 | 3B | 88 BPM | ||
Pyat'dney-pyat' nochey (Five Days - Five Nights), Op. 111a: II. Dresden in Ruins | Lev Atovmyan, Dmitri Shostakovich, Ukraine National Symphony Orchestra, Theodore Kuchar | F Major | 0 | 7B | 146 BPM | ||
Debussy: Piano Trio in G Major, L. 5: I. Andantino con moto allegro | Claude Debussy, Bertrand Chamayou | C Major | 1 | 8B | 80 BPM | ||
Six German Dances, D820: No.2 | Franz Schubert, Mitsuko Uchida | A♭ Major | 0 | 4B | 111 BPM | ||
Piano Concerto in E, Op. 59: III. Scherzo – Vivace | Moritz Moszkowski, Joseph Moog, Nicholas Milton, Deutsche Radio Philharmonie Saarbrücken Kaiserslautern | E Major | 2 | 12B | 81 BPM | ||
6 Pezzi, P. 44: No. 4. Minuetto | Ottorino Respighi, Konstantin Scherbakov | G Major | 0 | 9B | 132 BPM | ||
Variations on a Theme of Corelli, Op. 42: Theme. Andante | Sergei Rachmaninoff, Howard Shelley | D Minor | 0 | 7A | 107 BPM | ||
Piano Sonata in G Minor: I. Allegro molto agitato | Fanny Mendelssohn, Beatrice Rauchs | D Major | 1 | 10B | 78 BPM | ||
Piano Quartet No. 1 in C Minor, Op. 15: II. Scherzo (Allegro vivo) | Gabriel Fauré, Trio Wanderer, Antoine Tamestit | B♭ Major | 2 | 6B | 104 BPM | ||
String Quartet No. 9 in E-Flat Major, Op. 117: IV. Adagio | Dmitri Shostakovich, Carducci String Quartet | D♭ Major | 0 | 3B | 83 BPM |
Section: 0.6802327632904053
End: 0.683873176574707