"Chamber Symphony in C Minor, Op. 110a (arr. R. Barshai from String Quartet No. 8 for orchestra): IV. Largo" by Rudolf Barshai, Dmitri Shostakovich, Capella Istropolitana, Pawel Przytocki was released on May 1, 2011. Chamber Symphony in C Minor, Op. 110a (arr. R. Barshai from String Quartet No. 8 for orchestra): IV. Largo is about six minutes long, preciously at 5:41, making this song fairly long compared to other songs. There are a total of 5 in the song's album "Shostakovich: Chamber Symphony in C minor, Op. 110a". In this album, this song's track order is #4. Furthermore, we believe that the track originated from United States. Chamber Symphony in C Minor, Op. 110a (arr. R. Barshai from String Quartet No. 8 for orchestra): IV. Largo is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Chamber Symphony in C Minor, Op. 110a (arr. R. Barshai from String Quartet No. 8 for orchestra): IV. Largo by Rudolf Barshai, Dmitri Shostakovich, Capella Istropolitana, Pawel Przytocki having a BPM of 88 with a half-time of 44 BPM and a double-time of 176 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of D♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Die Meistersinger von Nürnberg, WWV 96: Prelude | Richard Wagner, Pittsburgh Symphony Orchestra, William Steinberg | C Major | 3 | 8B | 96 BPM | ||
The Young Person's Guide to the Orchestra, Op. 34: II. Variations A-D, Woodwinds. Presto - Lento - Moderato - Allegro alla marcia | Benjamin Britten, Sir Simon Rattle, London Symphony Orchestra | C Major | 0 | 8B | 66 BPM | ||
Final Circus | Christian Lindberg, Símon Bolívar Symphony Orchestra | G Major | 6 | 9B | 184 BPM | ||
A PLAY ABOUT GHOSTS | ЧЕПЦОВ Александр, LEX STONE | D Major | 2 | 10B | 178 BPM | ||
Variations & Fugue on a Theme of Mozart, Op. 132: Var. 3, Con moto | Max Reger, Dresdner Philharmonie, Jörg-Peter Weigle | C Minor | 2 | 5A | 89 BPM | ||
Carnival Overture - 2024 Remastered Version | Antonín Dvořák, Arthur Fiedler, Boston Symphony Orchestra | G Minor | 2 | 6A | 126 BPM | ||
Earth Wind and Fire | Aileen | D♭ Major | 1 | 3B | 105 BPM | ||
Symphony in C: I. Moderato alla breve | Igor Stravinsky, Vladimir Jurowski, London Philharmonic Orchestra | C Major | 1 | 8B | 78 BPM | ||
Tippett: Little Music for String Orchestra: IV. Finale. Vivace | Michael Tippett, Sir Neville Marriner, Academy of St. Martin in the Fields | B♭ Major | 4 | 6B | 113 BPM | ||
Romeo and Juliet, Suite No. 2, Op. 64ter: I. The Montagues and Capulets | Sergei Prokofiev, Antwerp Symphony Orchestra, Elim Chan | B Major | 0 | 1B | 124 BPM |
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