Sergei Prokofiev, Yefim Bronfman made "Piano Sonata No. 2 in D Minor, Op. 14: I. Allegro, ma non troppo" available on October 30, 1995. Piano Sonata No. 2 in D Minor, Op. 14: I. Allegro, ma non troppo is about six minutes long, preciously at 6:22, making this song fairly long compared to other songs. There are a total of 12 in the song's album "Prokofiev: Piano Sonatas Nos. 2, 3, 5 & 9". In this album, this song's track order is #1. Furthermore, we believe that the track originated from United States. The popularity of Piano Sonata No. 2 in D Minor, Op. 14: I. Allegro, ma non troppo is currently not that popular right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
With Piano Sonata No. 2 in D Minor, Op. 14: I. Allegro, ma non troppo by Sergei Prokofiev, Yefim Bronfman having a BPM of 186 with a half-time of 93 BPM and a double-time of 372 BPM, we would consider this track to have a Presto (very, very fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 4/4.
This song has a musical key of F Minor. Which also means that the camelot key for this song is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Pictures at an Exhibition: Cum mortuis in lingua mortua | Modest Mussorgsky, Nobuyuki Tsujii | A Minor | 1 | 8A | 69 BPM | ||
Betrothal in a Monastery / Act 3 Tableau 7: "Here I am, a nun" | Sergei Prokofiev, Evgeny Akimov, Marianna Tarassova, Anna Netrebko, Mariinsky Orchestra, Valery Gergiev | C Major | 4 | 8B | 137 BPM | ||
Lieder ohne Worte, Op. 19: 4. Moderato | Felix Mendelssohn, András Schiff | A Major | 0 | 11B | 70 BPM | ||
The Seasons, Op. 37b: XII. July, "The Reaper's Song" | Pyotr Ilyich Tchaikovsky, Yefim Bronfman | E♭ Major | 1 | 5B | 132 BPM | ||
Mendelssohns Lieder, S. 547: Sonntagslied (from Op. 19a, No. 5) | Franz Liszt, Joseph Banowetz | A Major | 0 | 11B | 66 BPM | ||
Paraphrase de concert sur „Volvio Una Noche | Hannes Pohlit, Carlos Gardel | F Major | 1 | 7B | 136 BPM | ||
Visions fugitives, Op. 22: XI. Con vivacità | Sergei Prokofiev, Steven Osborne | D Major | 0 | 10B | 132 BPM | ||
24 Preludes & Fugues, Op. 87: Prelude no.3 in G major. Moderato non troppo | Dmitri Shostakovich, Alexander Melnikov | F Minor | 1 | 4A | 142 BPM | ||
Antiche Danze Ed Arie Per Liuto (Ancient Airs And Dances), P. 114: III. Gagliarda | Ottorino Respighi, Konstantin Scherbakov | D Major | 1 | 10B | 97 BPM | ||
Tchaikovsky: The Sleeping Beauty, Op. 66, Act 1 "The Spell": No. 6, Waltz (Arr. Rachmaninov for Piano 4-Hands) | Pyotr Ilyich Tchaikovsky, Alexandre Tharaud, Alexander Melnikov | D Minor | 1 | 7A | 90 BPM |
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