"Com'havran fin le dolorose tempre" by Cipriano de Rore, Profeti Della Quinta was released on April 15, 2024. The duration of Com'havran fin le dolorose tempre is about two minutes long, specifically at 2:12. This song does not appear to have any foul language. Com'havran fin le dolorose tempre's duration is considered a little bit shorter than the average duration of a typical track. The song is number 1 out of 14 in Cipriano de Rore: Madrigals for four voices by Cipriano de Rore, Profeti Della Quinta. Going off of the ISRC code of this track, we detected that the origin of this track is from Switzerland. Com'havran fin le dolorose tempre is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Com'havran fin le dolorose tempre by Cipriano de Rore, Profeti Della Quinta is Andante (at a walking pace), since this song has a tempo of 78 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
A♭ Minor is the music key of this track. Because this track belongs in the A♭ Minor key, the camelot key is 1A. So, the perfect camelot match for 1A would be either 1A or 12B. While, a low energy boost can consist of either 1B or 2A. For moderate energy boost, you would use 10A and a high energy boost can either be 3A or 8A. However, if you are looking for a low energy drop, finding a song with a camelot key of 12A would be a great choice. Where 4A would give you a moderate drop, and 11A or 6A would be a high energy drop. Lastly, 4B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
No. 133, Psalm Siehe, wie fein und lieblich ists, SWV 48 | Heinrich Schütz, Ricercar Consort, Philippe Pierlot, Hanna Bayodi-Hirt, Yetzabel Arias, Olivier Coiffet, Hugo Hymas, Matthias Vieweg | G Minor | 2 | 6A | 117 BPM | ||
Christ Has Risen (2) | Mark Powell, Cappella Romana, Alexander Lingas | A Minor | 3 | 8A | 93 BPM | ||
Tenebrae Responsories for Maundy Thursday: In monte Oliveti: b. Spiritus quidem promptus est | Carlo Gesualdo, The Gesualdo Six, Owain Park | F♯ Major | 2 | 2B | 58 BPM | ||
Pièce de théorbe et de luth: Gavotte / Manuscrit Parville: Gavotte | Robert de Visée, Nicolas Lebègue, Les Musiciens De Saint-Julien, François Lazarevitch | B♭ Major | 2 | 6B | 113 BPM | ||
O Salutaris Hostia | Pierre de la Rue, Netherlands Chamber Choir, Paul Van Nevel | G Major | 1 | 9B | 135 BPM | ||
La Favolla d'Apollo: 13. Ohimè che vegg’io a 5 "La Dafne" | Marco da Gagliano, Ensemble Pygmalion, Deborah Cachet, Raphael Pichon, Lucile Richardot, Davy Cornillot, Maïlys De Villoutreys, Nicolas Brooymans | C Major | 3 | 8B | 79 BPM | ||
Lamentations | Antoine Brumel, Tenebrae, Nigel Short | B♭ Major | 1 | 6B | 68 BPM | ||
O nobilissima viriditas: O nobilissima viriditas | Hildegard von Bingen, Sibil•la Ensemble | C Major | 0 | 8B | 80 BPM | ||
Prima die Lectio prima: VIII. Daleth | Emilio de' Cavalieri, Le Poème Harmonique, Vincent Dumestre | A♭ Minor | 1 | 1A | 72 BPM | ||
Geistliche Chormusik, Op. 11, SWV 369-397: So fahr ich hin, SWV 379 | Heinrich Schütz, Ricercar Consort, Philippe Pierlot, Hanna Bayodi-Hirt, Yetzabel Arias, Olivier Coiffet, Hugo Hymas, Matthias Vieweg | G Minor | 2 | 6A | 117 BPM |
Section: 0.6591165065765381
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