"Tenebrae Responsories for Maundy Thursday: In monte Oliveti: b. Spiritus quidem promptus est" by Carlo Gesualdo, The Gesualdo Six, Owain Park was released on March 4, 2022. With Tenebrae Responsories for Maundy Thursday: In monte Oliveti: b. Spiritus quidem promptus est being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The track order of this song in The Gesualdo Six, Thomas Tallis, Owain Park, Judith Bingham, Carlo Gesualdo, Joanna Ward's "Gesualdo: Tenebrae Responsories for Maundy Thursday; Tallis: Lamentations" album is number 17 out of 58. On top of that, United Kingdom appears to be the country where this track was created. Tenebrae Responsories for Maundy Thursday: In monte Oliveti: b. Spiritus quidem promptus est is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Tenebrae Responsories for Maundy Thursday: In monte Oliveti: b. Spiritus quidem promptus est by Carlo Gesualdo, The Gesualdo Six, Owain Park to be Lento (slowly) because the track has a tempo of 58 BPM, a half-time of 29BPM, and a double-time of 116 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
F♯ Major is the music key of this track. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sicut lilium inter spinas | Eleonora d'Este, Lyyra | F Major | 1 | 7B | 82 BPM | ||
Qui en la garde du haut Dieu pour jamais se retire (Ps. 91) | Jan Pieterszoon Sweelinck, Daniel Reuss, Cappella Amsterdam | B Minor | 2 | 10A | 91 BPM | ||
Intemerata Dei Mater | Johannes Ockeghem, Musica Ficta, Bo Holten | D♭ Minor | 2 | 12A | 110 BPM | ||
Sanctus | Jacob Clemens non Papa, The Monteverdi Choir, John Eliot Gardiner | D Major | 1 | 10B | 130 BPM | ||
Lay a garland on her hearse | Robert Lucas Pearsall, Pre-Raphaelite Singer, The, Anthony Rooley | C Minor | 1 | 5A | 129 BPM | ||
Tenebrae Responsories, Feria sexta: I. Omnes amici mei | Carlo Gesualdo, Philippe Herreweghe, Collegium Vocale Gent | B♭ Major | 2 | 6B | 80 BPM | ||
Miserere: VIII. Libera me de sanguinibus ; Domine labia mea aperies - Livre des psaumes | Gregorio Allegri, Bai Tomaso, Ensemble Zene, Bruno Kele-Baujard | C Major | 2 | 8B | 81 BPM | ||
Omnis qui se exaltat | Johannes Wanning, Cappella Gedanensis | G Minor | 3 | 6A | 97 BPM | ||
Chansons: De plus en plus se renouvelle | Gilles Binchois, Ensemble Gilles Binchois, Dominique Vellard | A♭ Major | 0 | 4B | 69 BPM | ||
Vezzosi augelli | Giaches de Wert, La Venexiana, Claudio Cavina | F♯ Major | 1 | 2B | 70 BPM |
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