"Chansons francaises, FP 130: No. 1. Margoton va t'a l'iau" by Francis Poulenc, Danish National Vocal Ensemble, Stephen Layton was released on March 6, 2012. The duration of Chansons francaises, FP 130: No. 1. Margoton va t'a l'iau is about two minutes long, specifically at 2:11. This song does not appear to have any foul language. Chansons francaises, FP 130: No. 1. Margoton va t'a l'iau's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Francis Poulenc, Danish National Vocal Ensemble, Stephen Layton's "Half Monk, Half Rascal" album is number 21 out of 29. On top of that, Denmark appears to be the country where this track was created. In terms of popularity, Chansons francaises, FP 130: No. 1. Margoton va t'a l'iau is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Chansons francaises, FP 130: No. 1. Margoton va t'a l'iau by Francis Poulenc, Danish National Vocal Ensemble, Stephen Layton to be Andante (at a walking pace) because the track has a tempo of 98 BPM, a half-time of 49BPM, and a double-time of 196 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
D Minor is the music key of this track. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
3 Preludes and Fugues, Op. 16: No. 2. Prelude and Fugue in B-Flat Major | Clara Schumann, Jozef De Beenhouwer | B♭ Major | 0 | 6B | 100 BPM | ||
Poulenc: Concerto for Two Pianos in D Minor, FP 61: I. Allegro ma non troppo | Francis Poulenc, James Conlon, Rotterdam Philharmonic Orchestra | E♭ Major | 1 | 5B | 103 BPM | ||
Le travail du peintre: Pablo Picasso | Paul Éluard, Francis Poulenc, Noël Lee, Bernard Kruysen | A♭ Major | 2 | 4B | 110 BPM | ||
Visions fugitives, Op.22: 1. Lentamente | Sergei Prokofiev, Anna Gourari | A Minor | 0 | 8A | 0 BPM | ||
Nocturne No. 1 in E Flat Major, H.24 | John Field, Elizabeth Joy Roe | E♭ Major | 0 | 5B | 75 BPM | ||
Orfeo ed Euridice, Wq. 30 (Arranged by Sgambati): Melodie dell'Orfeo | Christoph Willibald Gluck, Yuja Wang | D Minor | 0 | 7A | 70 BPM | ||
Trois pièces: Toccata | Francis Poulenc, Alexandre Tharaud | A Minor | 2 | 8A | 73 BPM | ||
Concerto for 2 Pianos and Orchestra in D minor, FP 61: 1. Allegro ma non troppo | Francis Poulenc, Sylviane Deferne, Pascal Rogé, Philharmonia Orchestra, Charles Dutoit | E♭ Major | 1 | 5B | 99 BPM | ||
Nocturne No. 5 in B-Flat Major | John Field, Benjamin Frith | B♭ Major | 0 | 6B | 73 BPM | ||
Intermezzo in A-Flat Major, Op. 76, No. 3 | Johannes Brahms, Arcadi Volodos | A♭ Major | 0 | 4B | 67 BPM |
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