"It Came upon the Midnight Clear" by Arthur Sullivan, Kantos Chamber Choir, Ellie Slorach was released on March 6, 2020. With this song being about 5 minutes long, at 4:36, "It Came upon the Midnight Clear" by Arthur Sullivan, Kantos Chamber Choir, Ellie Slorach is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 21 in the song's album "The Long Day Closes: Sullivan Part Songs". In this album, this song's track order is #8. Based on our statistics, It Came upon the Midnight Clear's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With It Came upon the Midnight Clear by Arthur Sullivan, Kantos Chamber Choir, Ellie Slorach having a BPM of 126 with a half-time of 63 BPM and a double-time of 252 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 3/4.
E Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
"When a wooer goes a-wooing" | Arthur Sullivan, Elizabeth Harwood, Ann Hood, Philip Potter, John Reed, Royal Philharmonic Orchestra, Sir Malcolm Sargent | D♭ Major | 1 | 3B | 76 BPM | ||
Wiener Philharmoniker Fanfare, TrV 248 (Arr. Mealor) | Richard Strauss, Coronation Brass Ensemble, Paul Wynne Griffiths | C Major | 2 | 8B | 95 BPM | ||
Vanessa, Op. 32: Act I: Scene 1: Must the winter come so soon? | Samuel Barber, Ray Bauwens, Ellen Chickering, Richard Conrad, Marion Dry, Philip Lima, Andrea Matthews, Ukrainian National Capella "Dumka", Gil Rose | B♭ Minor | 1 | 3A | 153 BPM | ||
9. The law is the embodiment | Arthur Sullivan, John Reed, The D'Oyly Carte Opera Chorus, The New Symphony Orchestra Of London, Isidore Godfrey | C Major | 3 | 8B | 104 BPM | ||
Let us garlands bring, Op. 18: It was a lover and his lass | Gerald Finzi, Roderick Williams, Iain Burnside | A Major | 1 | 11B | 138 BPM | ||
The Little Horses (Lullaby) | Aaron Copland, Bruce Hubbard, Orchestra of St. Luke's, Saint Luke's Chamber Ensemble, Dennis Russell Davies | B Major | 0 | 1B | 76 BPM | ||
Così fan tutte, K. 588 / Act II: "Una donna a quindici anni" | Wolfgang Amadeus Mozart, Mojca Erdmann, Chamber Orchestra of Europe, Yannick Nézet-Séguin | G Major | 1 | 9B | 112 BPM | ||
Già il sole dal Gange | Alessandro Scarlatti, Ramón Vargas | A Major | 2 | 11B | 75 BPM | ||
Orphée aux enfers, ACT 1, Premier tableau: la campagne aux environs d'Athènes: La femme dont le coeur (Eurydice) | Jacques Offenbach, Natalie Dessay, Marc Minkowski, Sébastien Rouland, Choeur & Orchestre De L'Opéra National De Lyon, Orchestre de Chambre de Grenoble, Orchestre De L'Opéra National De Lyon | C Major | 1 | 8B | 106 BPM | ||
Old American Songs I: V. I Bought me a Cat (Arr. I. Fine) | Aaron Copland, Nathaniel Stampley, St. Charles Singers, Elgin Symphony Orchestra, Robert Hanson | F Major | 2 | 7B | 94 BPM |
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