"Hommage á T.S. Eliot (1987) - For Octet And Soprano: 3. "Time and the bell have buried the day"" by Sofia Gubaidulina, Christine Whittlesey was released on May 18, 2021. The duration of Hommage á T.S. Eliot (1987) - For Octet And Soprano: 3. "Time and the bell have buried the day" is about two minutes long, specifically at 2:26. This song does not appear to have any foul language. Hommage á T.S. Eliot (1987) - For Octet And Soprano: 3. "Time and the bell have buried the day"'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 13 out of 85 in Clara Schumann & Great Female Composers by Clara Schumann, Cécile Chaminade, Grażyna Bacewicz. Based on our statistics, Hommage á T.S. Eliot (1987) - For Octet And Soprano: 3. "Time and the bell have buried the day"'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Hommage á T.S. Eliot (1987) - For Octet And Soprano: 3. "Time and the bell have buried the day" by Sofia Gubaidulina, Christine Whittlesey is Allegro (fast, quick, and bright), since this song has a tempo of 136 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 3/4.
This song has a musical key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
String Quartet No. 2 | Sofia Gubaidulina, Stamic Quartet | D Major | 0 | 10B | 77 BPM | ||
Four Studies: II. Fast Canons | Nico Muhly, Angela Chun, Jennifer Chun | A Minor | 2 | 8A | 164 BPM | ||
Quatuor pour la fin du Temps: VI. Danse de la fureur, pour les sept trompettes | Olivier Messiaen, Martin Fröst | D♭ Major | 2 | 3B | 107 BPM | ||
Nocturne | Lili Boulanger, Olivier Charlier, Emile Naoumoff | F Major | 1 | 7B | 95 BPM | ||
HFTMRX | KNOXVILLETRACKZ | D♭ Minor | 0 | 12A | 174 BPM | ||
Prometheus: II. According to the Second... | Geoffrey Gordon, Martyn Brabbins, Laurent Ben Slimane, Philharmonia Orchestra | A Major | 1 | 11B | 81 BPM | ||
Concerto grosso no.1 (1976-77): 1. Preludio: Andante | Alfred Schnittke, Gidon Kremer, Tatiana Grindenko, Yuri Smirnov, Chamber Orchestra of Europe, Heinrich Schiff | C Minor | 0 | 5A | 93 BPM | ||
Reveille, concert study for violin with piano accompaniment | Benjamin Britten, Isabelle Faust, Alexander Melnikov, Boris Faust | A Minor | 0 | 8A | 116 BPM | ||
String Quartet No. 2: IV. | Giacinto Scelsi, Quatuor Molinari | D Major | 1 | 10B | 90 BPM | ||
Sinfonietta No. 2: III. Serenade: Tempo di valse | Krzysztof Penderecki, Artur Pachlewski, Warsaw Philharmonic Chamber Orchestra, Antoni Wit | C Major | 0 | 8B | 88 BPM |
Section: 0.5710239410400391
End: 0.5749099254608154