On July 1, 1997, the song "Overture (Suite) No. 2 in B Minor, BWV 1067: VII. Badinerie" was released by Johann Sebastian Bach, Capella Istropolitana, Jaroslav Dvořák. With Overture (Suite) No. 2 in B Minor, BWV 1067: VII. Badinerie being less than two minutes long, at 1:23, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 14 out of 24 in Bach, J.S.: Orchestral Suites Nos. 1-4, Bwv 1066-1069 by Johann Sebastian Bach, Jaroslav Dvořák. Going off of the ISRC code of this track, we detected that the origin of this track is from Hong Kong. Based on our statistics, Overture (Suite) No. 2 in B Minor, BWV 1067: VII. Badinerie's popularity is not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
The tempo marking of Overture (Suite) No. 2 in B Minor, BWV 1067: VII. Badinerie by Johann Sebastian Bach, Capella Istropolitana, Jaroslav Dvořák is Allegro (fast, quick, and bright), since this song has a tempo of 127 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 3/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Overture (Suite) in A Minor for Recorder and Strings, TWV 55:a2: II. Les plaisirs | Georg Philipp Telemann, Jiří Stivín, Capella Istropolitana, Richard Edlinger | A Minor | 2 | 8A | 141 BPM | ||
Concerto For 2 Keyboards In C Minor, BWV 1060: II. Largo Ovvero Adagio | Cologne Chamber Orchestra, Michael Behringer, Robert Hill, Johann Sebastian Bach | C Minor | 2 | 5A | 176 BPM | ||
Bach, CPE: Concerto in G Major, Wq 169, H. 445: I. Allegro di molto | Carl Philipp Emanuel Bach, Emmanuel Pahud, Trevor Pinnock, Kammerakadamie Potsdam | G Major | 2 | 9B | 133 BPM | ||
Piano Concerto No. 2 in B-Flat Major, Op. 19: III. Rondo: Molto allegro | Ludwig van Beethoven, Stefan Vladar, Capella Istropolitana, Barry Wordsworth | B♭ Major | 1 | 6B | 175 BPM | ||
Sonata for Violin and Basso Continuo in G Major, TWV 41:G1: II. Allegro | Georg Philipp Telemann, Boris Begelman | F♯ Major | 4 | 2B | 116 BPM | ||
Concerto Grosso In B Flat Major, Op. 6, No. 11: V. Sarabanda: Largo | Arcangelo Corelli, Quido Holbling, Daniela Ruso, Ludovit Kanta, Anna Holbling, Capella Istropolitana | D♭ Major | 1 | 3B | 118 BPM | ||
Overture (Suite) No. 2 in B Minor, BWV 1067: VI. Menuet | Johann Sebastian Bach, Cologne Chamber Orchestra, Helmut Muller-Bruhl | B Minor | 4 | 10A | 119 BPM | ||
Water Music: Minuet For The French Horn | Ljubljana Symphony Orchestra, Anton Nanut | F Major | 0 | 7B | 126 BPM | ||
Oboe Concerto in G Minor, Op. 9, No. 8: II. Adagio | Tomaso Albinoni, Anthony Camden, London Virtuosi, John Georgiadis | B♭ Major | 1 | 6B | 89 BPM | ||
Sinfonia in A Major: III. Presto assai | Giovanni Battista Sammartini, Capella Istropolitana, Jaroslav Krcek | A Major | 3 | 11B | 113 BPM |
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