"Concerto in C Major, S. 211: III. Adagio (Ed. Ilse Hechler)" by Johann David Heinichen, Amsterdam Loeki Stardust Quartet, Academy of Ancient Music, Christopher Hogwood was released on April 3, 1994. With Concerto in C Major, S. 211: III. Adagio (Ed. Ilse Hechler) being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The song is number 3 out of 26 in Concerti di Flauti by Amsterdam Loeki Stardust Quartet, Academy of Ancient Music, Christopher Hogwood. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Concerto in C Major, S. 211: III. Adagio (Ed. Ilse Hechler) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Concerto in C Major, S. 211: III. Adagio (Ed. Ilse Hechler) by Johann David Heinichen, Amsterdam Loeki Stardust Quartet, Academy of Ancient Music, Christopher Hogwood is Adagio (slowly with great expression), since this song has a tempo of 75 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Ouverture in E Minor: II. Les plaisirs | Johann Bernhard Bach, L'Achéron, François Joubert-Caillet | D Minor | 2 | 7A | 114 BPM | ||
Suite a fur Blockflote, Streicher und Generalbass: Air a l'Italien | Cologne Chamber Orchestra | A Minor | 1 | 8A | 76 BPM | ||
Concerto Grosso in E Minor, Op. 3, No. 3: IV. Allegro | Francesco Geminiani, Capella Istropolitana, Jaroslav Krcek | E Minor | 3 | 9A | 144 BPM | ||
Trio Sonata for 2 Flutes and Continuo in E minor, HWV 395: 1. Largo | George Frideric Handel, William Bennett, Trevor Wye, George Malcolm, Denis Vigay, Academy of St. Martin in the Fields | E Minor | 2 | 9A | 50 BPM | ||
Quartet in G Major: I. Adagio | Johann Gottlieb Janitsch, Berlin Baroque Compagney | F♯ Major | 1 | 2B | 76 BPM | ||
Trio Sonata in G Minor: II. Allegro un poco | Johann Friedrich Fasch, Danubius Ensemble | C Minor | 2 | 5A | 122 BPM | ||
Sinfonia à 8 in A Minor, ZWV 189: V. Menuet I & II | Jan Dismas Zelenka, Freiburger Barockorchester, Gottfried Von Der Goltz | D♭ Major | 2 | 3B | 120 BPM | ||
Sinfonia in A Major: I. Presto | Giovanni Battista Sammartini, Capella Istropolitana, Jaroslav Krcek | A Major | 3 | 11B | 117 BPM | ||
Concerto Grosso in D Major, Op. 1 No 5 - Part. 1 (Pietro Locatelli) | Pietro Locatelli, Tafelmusik Baroque Orchestra, Jeanne Lamon | D♭ Major | 1 | 3B | 71 BPM | ||
Gluck: Orfeo ed Euridice, Wq. 30, Act 3: "Che farò senza Euridice" (Orfeo) | Christoph Willibald Gluck, Stefan Plewniak, Jakub Józef Orliński, Il Giardino d'Amore | D♭ Major | 3 | 3B | 129 BPM |
Section: 0.9237005710601807
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