Peer Gynt Suite No.2, Op.55: 1. The Abduction (Ingrid's Lament) - Edvard Grieg, Berliner Philharmoniker, Herbert von Karajan Information

Acousticness: 90%
Danceability: 15%
Energy: 5%
Instrumentalness: 78%
Liveness: 20%
Loudness: 65%
Speechiness: 4%
Valence: 4%
Popularity: 30%
Loudness: -20.851 dB

Summary

"Peer Gynt Suite No.2, Op.55: 1. The Abduction (Ingrid's Lament)" by Edvard Grieg, Berliner Philharmoniker, Herbert von Karajan was released on January 1, 1983. With this song being about 5 minutes long, at 5:04, "Peer Gynt Suite No.2, Op.55: 1. The Abduction (Ingrid's Lament)" by Edvard Grieg, Berliner Philharmoniker, Herbert von Karajan is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Berliner Philharmoniker, Herbert von Karajan's "Grieg: Peer Gynt Suites / Sibelius: Pelléas et Mélisande" album is number 5 out of 17. Based on our statistics, Peer Gynt Suite No.2, Op.55: 1. The Abduction (Ingrid's Lament)'s popularity is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Peer Gynt Suite No.2, Op.55: 1. The Abduction (Ingrid's Lament) BPM

We consider the tempo marking of Peer Gynt Suite No.2, Op.55: 1. The Abduction (Ingrid's Lament) by Edvard Grieg, Berliner Philharmoniker, Herbert von Karajan to be Allegro (fast, quick, and bright) because the track has a tempo of 135 BPM, a half-time of 68BPM, and a double-time of 270 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 3/4.

Peer Gynt Suite No.2, Op.55: 1. The Abduction (Ingrid's Lament) Key

G Minor is the music key of this track. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Cello Concerto in E Minor, Op. 85: I. Adagio - Moderato	Edward Elgar, Sheku Kanneh-Mason, London Symphony Orchestra, Sir Simon Rattle	E Minor	1	9A	102 BPM
Orfeo ed Euridice, Wq. 30 (Arranged by Sgambati): Melodie dell'Orfeo	Christoph Willibald Gluck, Yuja Wang	D Minor	0	7A	70 BPM
Abdelazar Suite, Z. 570: VI. Air	Henry Purcell, Camerata Nordica, Terje Tonnesen	G Minor	2	6A	131 BPM
Elgar: Variations on an Original Theme, Op. 36, "Enigma": Theme (Andante)	Edward Elgar, London Symphony Orchestra, Sir Adrian Boult	G Minor	1	6A	178 BPM
Shostakovich / Arr. Atovmyan: Suite from the Gadfly, Op. 97a: VIII. Romance	Dmitri Shostakovich, Tasmin Little, Piers Lane	C Major	1	8B	175 BPM
Sonata in D Minor, K. 9	Domenico Scarlatti, Ivo Pogorelich	D Minor	0	7A	94 BPM
Symphony No. 9 in E Minor, Op. 95 "From the New World": I. Adagio — Allegro molto	Antonín Dvořák, New York Philharmonic, Alan Gilbert	E Minor	1	9A	125 BPM
Sonata in A Minor, L 241	Domenico Scarlatti, Vladimir Horowitz	E Minor	0	9A	79 BPM
Peer Gynt, Op. 23: No. 16, Anitra's Dance	Edvard Grieg, San Francisco Symphony, Herbert Blomstedt	A Minor	0	8A	82 BPM
Jazz Suite No. 2: 4. Waltz I	Dmitri Shostakovich, Concertgebouworkest, Riccardo Chailly	B♭ Major	2	6B	178 BPM

ISRC: This song does not have an ISRC.
Label: L-M Records/RCA Records

Section: 0.7679023742675781

End: 0.7727670669555664