"Symphony No. 2: III. Adagio cantabile" by Charles Ives, Los Angeles Philharmonic, Gustavo Dudamel was released on August 28, 2020. Since Symphony No. 2: III. Adagio cantabile is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 7 out of 16 in Charles Ives: Complete Symphonies by Charles Ives, Los Angeles Philharmonic, Gustavo Dudamel. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Symphony No. 2: III. Adagio cantabile is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Symphony No. 2: III. Adagio cantabile by Charles Ives, Los Angeles Philharmonic, Gustavo Dudamel is Adagio (slowly with great expression), since this song has a tempo of 69 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sonata For 2 Pianos And Percussion, Sz. 110: 3. Allegro non troppo | Béla Bartók, Martha Argerich, Nelson Freire, Peter Sadlo, Edgar Guggeis | A Major | 3 | 11B | 140 BPM | ||
Les biches Suite, FP 36b: I. Rondeau | Francis Poulenc, RTÉ National Symphony Orchestra, Jean-Luc Tingaud | C Major | 1 | 8B | 79 BPM | ||
Stille Musik: 1. Walzer des Augenblicks | Valentin Silvestrov, Munich Chamber Orchestra | A Minor | 0 | 8A | 60 BPM | ||
Scenes de la foret, Op. 123: No. 1. Nocturne | Mel Bonis, Tatjana Ruhland, Florian Wiek, Stuttgart Radio Symphony Orchestra, members | A♭ Major | 0 | 4B | 131 BPM | ||
Sinfonía 39 Simbad el marino: 4. El cementario de elefantes | Juan Pablo Fernández Ramos | F Major | 1 | 7B | 94 BPM | ||
Valses nobles et sentimentales, M.61: 5. Presque lent - dans un sentiment intime | Maurice Ravel, Cleveland Orchestra, Pierre Boulez | A♭ Minor | 0 | 1A | 76 BPM | ||
Symphonic Metamorphoses on Themes of Carl Maria von Weber: III. Andantino | Paul Hindemith, Leonard Bernstein, New York Philharmonic | F Minor | 1 | 4A | 84 BPM | ||
Violin Concerto "To the Memory of an Angel": I. Andante – Allegretto | Alban Berg, Berliner Philharmoniker, Frank Peter Zimmermann, Kirill Petrenko | G Major | 1 | 9B | 70 BPM | ||
Hallowe’en | Charles Ives, Eva Gruesser, Mia Wu, Rachel Evans, Beverly Lauridsen, Cheryl Seltzer, Joel Sachs, Continuum | B♭ Minor | 0 | 3A | 111 BPM | ||
Symphonie fantastique, Op. 14, H 48: IV. Marche au supplice | Hector Berlioz, London Symphony Orchestra, Sir Colin Davis | B♭ Major | 1 | 6B | 155 BPM |
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