Berlioz: Les Troyens, Op. 29, H. 133, Act 1: "Que la déesse nous protège" (Énée, Priam, Cassandre, Tous) - Hector Berlioz, John Nelson, Agnieszka Slawinska, Bertrand Grunenwald, Cyrille Dubois, Frédéric Caton, Hanna Hipp, Jean Teitgen, Joyce DiDonato, Jerome Varnier, Marianne Crebassa, Marie-Nicole Lemieux, Michael Spyres, Nicolas Courjal, Philippe Sly, Richard Rittelmann, Stanislas de Barbeyrac, Stéphane Degout, Orchestre Philharmonique De Strasbourg Information

Acousticness: 92%
Danceability: 35%
Energy: 36%
Instrumentalness: 0%
Liveness: 40%
Loudness: 74%
Speechiness: 7%
Valence: 31%
Popularity: 1%
Loudness: -15.389 dB

Summary

Hector Berlioz, John Nelson, Agnieszka Slawinska, Bertrand Grunenwald, Cyrille Dubois, Frédéric Caton, Hanna Hipp, Jean Teitgen, Joyce DiDonato, Jerome Varnier, Marianne Crebassa, Marie-Nicole Lemieux, Michael Spyres, Nicolas Courjal, Philippe Sly, Richard Rittelmann, Stanislas de Barbeyrac, Stéphane Degout, Orchestre Philharmonique De Strasbourg's 'Berlioz: Les Troyens, Op. 29, H. 133, Act 1: "Que la déesse nous protège" (Énée, Priam, Cassandre, Tous)' came out on October 24, 2017. With Berlioz: Les Troyens, Op. 29, H. 133, Act 1: "Que la déesse nous protège" (Énée, Priam, Cassandre, Tous) being less than two minutes long, at 1:37, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 14 out of 72 in Berlioz: Les Troyens by Hector Berlioz, Joyce DiDonato. In terms of popularity, Berlioz: Les Troyens, Op. 29, H. 133, Act 1: "Que la déesse nous protège" (Énée, Priam, Cassandre, Tous) is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Berlioz: Les Troyens, Op. 29, H. 133, Act 1: "Que la déesse nous protège" (Énée, Priam, Cassandre, Tous) BPM

The tempo marking of Berlioz: Les Troyens, Op. 29, H. 133, Act 1: "Que la déesse nous protège" (Énée, Priam, Cassandre, Tous) by Hector Berlioz, John Nelson, Agnieszka Slawinska, Bertrand Grunenwald, Cyrille Dubois, Frédéric Caton, Hanna Hipp, Jean Teitgen, Joyce DiDonato, Jerome Varnier, Marianne Crebassa, Marie-Nicole Lemieux, Michael Spyres, Nicolas Courjal, Philippe Sly, Richard Rittelmann, Stanislas de Barbeyrac, Stéphane Degout, Orchestre Philharmonique De Strasbourg is Moderato (at a moderate speed), since this song has a tempo of 115 BPM. With that information, we can conclude that the song has a moderate tempo. This song can go great with walking. The time signature for this track is 4/4.

Berlioz: Les Troyens, Op. 29, H. 133, Act 1: "Que la déesse nous protège" (Énée, Priam, Cassandre, Tous) Key

This song is in the music key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
L'enfance du Christ, Op. 25: Part III: The Arrival at Sais - Trio for two flutes and harp, played by the young Ishmaelites	Hector Berlioz, Fernand Bernardi, Antoine Garcin, Michèle Lagrange, Michel Piquemal, Jean-Louis Serre, Etienne Vandier, Jean-Luc Viala, Ile de France Vittoria Regional Choir, Orchestre National de Lille, Jean-Claude Casadesus	E Minor	0	9A	136 BPM
Violin Concerto, Op. 48: I. Allegro molto e con brio	Dmitry Kabalevsky, Neeme Järvi, Royal Scottish National Orchestra, Lydia Mordkovitch	C Major	2	8B	145 BPM
Carmen Suite No. 1 (Arr. E. Guiraud): V. Les dragons d'Alcala	Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González	F Minor	0	4A	60 BPM
Holberg Suite, Op. 40: 3. Gavotte (Allegretto) - Musette (poco più mosso) - Gavotte	Edvard Grieg, Gothenburg Symphony Orchestra, Neeme Järvi	G Major	0	9B	78 BPM
Scènes de ballet, Op. 52: VI. Danse Orientale	Alexander Glazunov, Moscow Philharmonic Orchestra, Alexander Anissimov	A♭ Major	0	4B	78 BPM
L'enfance du Christ, Op. 25, Pt. II, "La fuite en Égypte": Le songe d'Herode: Scene V, No. 5: Duo	Hector Berlioz, Christiane Oelze, Christopher Maltman, Mark Padmore, Ralf Lukas, Bernhard Hartmann, Frank Bossert, Daniel Reuss, SWR Vokalensemble Stuttgart, Stuttgart Radio Symphony Orchestra, Sir Roger Norrington	F♯ Minor	0	11A	94 BPM
La Damnation de Faust, Op. 24, H. 111: Pt. II, Scène VI - Chanson de Méphistophélès. "Une puce gentille"	Hector Berlioz, London Symphony Orchestra, Sir Simon Rattle, Christopher Purves, London Symphony Chorus	F Major	2	7B	164 BPM
Berlioz: L'enfance du Christ, Op. 25, H 130, Pt. 3 "L'arrivée à Saïs": "Entrez, entrez, pauvres Hébreux" (L'Ismaélite, Joseph, Chœur)	Hector Berlioz, André Cluytens, Choeurs Rene Duclos, Roger Soyer, Xavier Depraz, Orchestre De La Société Des Concerts Du Conservatoire	E Major	2	12B	88 BPM
Lohengrin, WWV 75 / Act III: "Treulich geführt ziehet dahin"	Richard Wagner, Renate Hasler, Gretchen Eder, Ulrike Erfurt, Marianne Sattmann, Vienna State Opera Chorus, Wiener Philharmoniker, Claudio Abbado	C Major	1	8B	75 BPM
Variations on an Original Theme, Op. 36, "Enigma": Theme - Andante	Edward Elgar, Sir Colin Davis, London Symphony Orchestra	G Minor	0	6A	91 BPM

ISRC: This song does not have an ISRC.
Label: L-M Records/RCA Records

Section: 0.7624428272247314

End: 0.7664804458618164