"Symphony No. 92 in G Major, 'Oxford': Adagio - Allegro" by Munich Philharmonic Orchestra, Sergiu Celibidache was released on 1997. Since Symphony No. 92 in G Major, 'Oxford': Adagio - Allegro is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 8 out of 12 in Edition Vol. 1 - Mozart: Symphony No.40 & Haydn: Symphony No.92 by Sergiu Celibidache, Munich Philharmonic Orchestra. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Based on our statistics, Symphony No. 92 in G Major, 'Oxford': Adagio - Allegro's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Symphony No. 92 in G Major, 'Oxford': Adagio - Allegro by Munich Philharmonic Orchestra, Sergiu Celibidache is Allegro (fast, quick, and bright), since this song has a tempo of 121 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 3/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Pelléas et Mélisande, Op. 80: 4. Sicilienne | Gabriel Fauré, Boston Symphony Orchestra, Seiji Ozawa | F Major | 2 | 7B | 98 BPM | ||
Symphony No. 1 in D Major, Op. 25 "Classical Symphony": IV. Finale (Vivace) | Sergei Prokofiev, Orpheus Chamber Orchestra | G Major | 2 | 9B | 67 BPM | ||
Grieg: Suite No. 2 from Peer Gynt, Op. 55: II. Arabian Dance | Edvard Grieg, Sakari Oramo, City Of Birmingham Symphony Orchestra | F Major | 2 | 7B | 129 BPM | ||
España - Rhapsody For Orchestra | Emmanuel Chabrier, Boston Symphony Orchestra, Seiji Ozawa | F Major | 3 | 7B | 126 BPM | ||
Cello Concerto No.1, Op.107: 1. Allegretto | Dmitri Shostakovich, Heinrich Schiff, Bavarian Radio Symphony Orchestra, Maxim Shostakovich | G Minor | 2 | 6A | 126 BPM | ||
Rachmaninoff: Vocalise, Op. 34, No. 14 | Sergei Rachmaninoff, San Francisco Symphony, Michael Tilson Thomas | A Minor | 1 | 8A | 76 BPM | ||
Britten: War Requiem, Op. 66: IV. Dies irae - " Dies irae, dies illa" (Chorus) | Benjamin Britten, Lorin Maazel, Munich Philharmonic Orchestra | G Major | 1 | 9B | 92 BPM | ||
Tchaikovsky: Variations on a Rococo Theme, Op. 33: Variation II - Tempo della Thema | Pyotr Ilyich Tchaikovsky, Munich Philharmonic Orchestra, Valery Gergiev | B Minor | 1 | 10A | 85 BPM | ||
Rimsky-Korsakov: Scheherazade, Op. 35: III. The Young Prince and the Young Princess (Live) | Nikolai Rimsky-Korsakov, Munich Philharmonic Orchestra, Valery Gergiev | G Major | 0 | 9B | 73 BPM | ||
Háry János Suite: Intermezzo | Zoltán Kodály, John Leach, Deutsches Symphonie-Orchester Berlin, Ferenc Fricsay | D Minor | 2 | 7A | 98 BPM |
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