Paul Reade, Vic Chiodo made "Saxophone Quartet: I. Toccata" available on March 6, 2012. The duration of Saxophone Quartet: I. Toccata is about two minutes long, specifically at 2:22. This song does not appear to have any foul language. Saxophone Quartet: I. Toccata's duration is considered a little bit shorter than the average duration of a typical track. This song is part of Woodwinds: Vic Chiodo by Vic Chiodo. The song's track number on the album is #22 out of 23 tracks. Based on our data, United States was the country where this track was produced or recorded. In terms of popularity, Saxophone Quartet: I. Toccata is currently unknown. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
Since Saxophone Quartet: I. Toccata by Paul Reade, Vic Chiodo has a tempo of 109 beats per a minute, the tempo markings of this song would be Moderato (at a moderate speed). With Saxophone Quartet: I. Toccata being at 109 BPM, the half-time would be 54 BPM with a double-time of 218 BPM.In addition, we consider the tempo speed to be pretty moderate for this song. The time signature for this track is 4/4.
This song has a musical key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Goin' Home | Antonín Dvořák, Yo-Yo Ma, Kathryn Stott | D♭ Major | 0 | 3B | 81 BPM | ||
Chopin: Berceuse in D-Flat Major, Op. 57 | Frédéric Chopin, Dong Hyek Lim | D♭ Major | 0 | 3B | 67 BPM | ||
Madama Butterfly, SC 74, Act II: Coro a bocca chiusa (Humming Chorus) | Giacomo Puccini, Lawrence Foster, Orquestra Gulbenkian, Coro Gulbenkian | B♭ Major | 0 | 6B | 81 BPM | ||
Fantasy for Guitar Op. 107: III. Arietta 1 | Malcolm Arnold, Sean Shibe | D Major | 0 | 10B | 109 BPM | ||
Largo from 'Xerxes' | George Frideric Handel, Latvian Philharmonic Chamber Orchestra, Ilmar Lapinsch, Riga Radio Choir | G Major | 1 | 9B | 170 BPM | ||
La Vierge / Scene 4: The Assumption: Le dernier sommeil de la Vièrge (The Last Sleep of the Virgin) | Jules Massenet, The New Symphony Orchestra Of London, Raymond Agoult | G Major | 1 | 9B | 82 BPM | ||
Moderen (The Mother), Op. 41, FS 94: Tagen letter (The Fog is lifting) | Carl Nielsen, Ensemble MidtVest | C Major | 0 | 8B | 110 BPM | ||
3 Spirituals for Orchestra: No. 2. Kum Bab Yah | Adolphus Hailstork, Virginia Symphony Orchestra, Joann Falletta | D Minor | 0 | 7A | 140 BPM | ||
Variations on a Norwegian Folktune, Op. 31: I fjol gjaett'e gjeitinn | Johan Svendsen, Latvian National Symphony Orchestra, Terje Mikkelsen | E Major | 1 | 12B | 87 BPM | ||
The Well-Tempered Clavier: Book I, BWV 846-869: I. Prelude | Johann Sebastian Bach, Pierre-Laurent Aimard | B Minor | 0 | 10A | 95 BPM |
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