"Rigoletto / Act 1: Ah, veglia, o donna, questo fiore (Rigoletto, Gilda, Giovanna, Duca)" by Giuseppe Verdi, Vladimir Chernov, Cheryl Studer, Luciano Pavarotti, Jane Shaulis, Metropolitan Opera Chorus, Metropolitan Opera Orchestra, James Levine was released on January 1, 1998. With this song being about 5 minutes long, at 5:13, "Rigoletto / Act 1: Ah, veglia, o donna, questo fiore (Rigoletto, Gilda, Giovanna, Duca)" by Giuseppe Verdi, Vladimir Chernov, Cheryl Studer, Luciano Pavarotti, Jane Shaulis, Metropolitan Opera Chorus, Metropolitan Opera Orchestra, James Levine is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. This song is part of Verdi: Rigoletto by Giuseppe Verdi, Metropolitan Opera Orchestra, James Levine. The song's track number on the album is #12 out of 40 tracks. Rigoletto / Act 1: Ah, veglia, o donna, questo fiore (Rigoletto, Gilda, Giovanna, Duca) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Rigoletto / Act 1: Ah, veglia, o donna, questo fiore (Rigoletto, Gilda, Giovanna, Duca) by Giuseppe Verdi, Vladimir Chernov, Cheryl Studer, Luciano Pavarotti, Jane Shaulis, Metropolitan Opera Chorus, Metropolitan Opera Orchestra, James Levine has a tempo of 77 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Rigoletto / Act 1: Ah, veglia, o donna, questo fiore (Rigoletto, Gilda, Giovanna, Duca) being at 77 BPM, the half-time would be 38 BPM with a double-time of 154 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
This song is in the music key of E♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Rigoletto, Act I: Già da tre lune son qui venuta | Giuseppe Verdi, Nadine Sierra, Dmitri Hvorostovsky, Eglė Šidlauskaitė, Kaunas City Symphony Orchestra, Constantine Orbelian | A♭ Major | 1 | 4B | 82 BPM | ||
Eugene Onegin, Op. 24, TH. 5 / Act I: Closing Scene. "A, vot i vi!" | Pyotr Ilyich Tchaikovsky, Ruthild Engert-Ely, Rosemarie Lang, Neil Shicoff, Thomas Allen, Staatskapelle Dresden, James Levine | E Minor | 2 | 9A | 78 BPM | ||
L'elisir d'amore / Act 1: "Andiam, Belcore" | Gaetano Donizetti, Dawn Upshaw, Kathleen Battle, Luciano Pavarotti, Leo Nucci, Metropolitan Opera Chorus, David Stivender, Metropolitan Opera Orchestra, James Levine | E♭ Major | 5 | 5B | 99 BPM | ||
William Tell - Italian version / Act 1: "Il mio giuro egli disse" | Gioachino Rossini, Luciano Pavarotti, National Philharmonic Orchestra, Riccardo Chailly | D Major | 4 | 10B | 108 BPM | ||
Manon Lescaut / Act 1: Non c'è più vino? | Giacomo Puccini, Dwayne Croft, Luciano Pavarotti, Mirella Freni, Metropolitan Opera Orchestra, James Levine | D♭ Major | 3 | 3B | 98 BPM | ||
La traviata / Act 2: "Invitato a qui seguirmi" | Giuseppe Verdi, Anna Netrebko, Rolando Villazón, Helene Schneiderman, Herman Wallen, Luigi Roni, Paul Gay, Carlo Rizzi, Wiener Philharmoniker, Vienna State Opera Chorus, Rupert Huber | A♭ Major | 2 | 4B | 92 BPM | ||
Verdi: La traviata, Act 2: "Ah! Dite alla giovane" (Violetta, Germont) | Giuseppe Verdi, Maria Callas, Gabriele Santini, Orchestra Sinfonica della RAI, Ugo Savarese | E♭ Major | 2 | 5B | 83 BPM | ||
Eugene Onegin, Op. 24, TH. 5 / Act I: Scene and Quartet. "Mesdames! Ya na sebya vzyal smyelost" | Pyotr Ilyich Tchaikovsky, Mirella Freni, Anne Sofie von Otter, Rosemarie Lang, Neil Shicoff, Thomas Allen, Staatskapelle Dresden, James Levine | E Minor | 2 | 9A | 78 BPM | ||
Manon Lescaut / Act 2: Minuetto | Giacomo Puccini, Anthony Laciura, Giuseppe Taddei, Mirella Freni, Metropolitan Opera Chorus, Metropolitan Opera Orchestra, James Levine | D Major | 0 | 10B | 146 BPM | ||
La Fanciulla del West / Act 3: "Ch'ella mi creda libero e lontano" | Giacomo Puccini, Luciano Pavarotti, National Philharmonic Orchestra, Oliviero de Fabritiis | F♯ Major | 3 | 2B | 179 BPM |
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