Giacomo Puccini, Dwayne Croft, Luciano Pavarotti, Mirella Freni, Metropolitan Opera Orchestra, James Levine made "Manon Lescaut / Act 1: Non c'è più vino?" available on January 1, 1993. With Manon Lescaut / Act 1: Non c'è più vino? being less than two minutes long, at 1:42, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 33 in the song's album "Puccini: Manon Lescaut". In this album, this song's track order is #11. In terms of popularity, Manon Lescaut / Act 1: Non c'è più vino? is currently not that popular. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Manon Lescaut / Act 1: Non c'è più vino? by Giacomo Puccini, Dwayne Croft, Luciano Pavarotti, Mirella Freni, Metropolitan Opera Orchestra, James Levine having a BPM of 98 with a half-time of 49 BPM and a double-time of 196 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song is in the music key of D♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
L'elisir d'amore, Act I: Una parola | Gaetano Donizetti, Cecilia Bartoli, Luciano Pavarotti, Orchestra Sinfonica di Milano Giuseppe Verdi, Riccardo Chailly | B♭ Major | 4 | 6B | 121 BPM | ||
Eugene Onegin, Op. 24, TH. 5 / Act I: Scene and Arioso. "Kak shchastliv, kak shchastliv ya!" - "Ya lyublyu vas" | Pyotr Ilyich Tchaikovsky, Mirella Freni, Anne Sofie von Otter, Neil Shicoff, Thomas Allen, Staatskapelle Dresden, James Levine | E Minor | 2 | 9A | 78 BPM | ||
Il Barbiere di Siviglia (1996 Digital Remaster): Non è venuto ancora (Rosina/Conte/Bartolo/Figaro) | Gioachino Rossini, Beverly Sills, Nicolai Gedda, Sherrill Milnes, Renato Capecchi, Ruggero Raimondi, Michael Rippon, John Alldis Choir, Joseph Galiano, London Symphony Orchestra, James Levine, Fedora Barbieri | E Major | 1 | 12B | 109 BPM | ||
Lucia di Lammermoor / Act 2: "Dov'è Lucia?" | Gaetano Donizetti, Dame Joan Sutherland, Ryland Davies, Luciano Pavarotti, Sherrill Milnes, Nicolai Ghiaurov, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | D Major | 3 | 10B | 108 BPM | ||
Le nozze di Figaro, K.492 / Act 4: "In quegli anni in cui val poco" | Wolfgang Amadeus Mozart, Anthony Laciura, Metropolitan Opera Orchestra, James Levine | B♭ Major | 1 | 6B | 105 BPM | ||
Pioggia | Ottorino Respighi, Luciano Pavarotti, Orchestra del Teatro Comunale di Bologna, Richard Bonynge | G Minor | 1 | 6A | 73 BPM | ||
Santa Lucia luntana (Arr. Chiaramello) | Ermes Alessandro Mario, Luciano Pavarotti, Orchestra del Teatro Comunale di Bologna, Giancarlo Chiaramello | E Major | 2 | 12B | 102 BPM | ||
La fanciulla del West: Ch'ella mi creda | Giacomo Puccini, Thomas Harper, Slovak Radio Symphony Orchestra, Michael Halasz | F Major | 6 | 7B | 103 BPM | ||
Le nozze di Figaro, K.492 / Act 3: "E Susanna non vien!" | Wolfgang Amadeus Mozart, Kiri Te Kanawa, Metropolitan Opera Orchestra, James Levine | G Major | 1 | 9B | 98 BPM | ||
Idomeneo, re di Creta, K.366 / Act 2: "Fuor del mar" | Wolfgang Amadeus Mozart, Luciano Pavarotti, Wiener Philharmoniker, Sir John Pritchard | D Major | 3 | 10B | 119 BPM |
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