Alonso Mudarra, Hopkinson Smith's 'Glosa Sobre un Benedictus de una Missa de Josquin (Tiento del Quarto tono)' came out on 1992. The duration of Glosa Sobre un Benedictus de una Missa de Josquin (Tiento del Quarto tono) is about two minutes long, specifically at 2:17. This song does not appear to have any foul language. Glosa Sobre un Benedictus de una Missa de Josquin (Tiento del Quarto tono)'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Alonso Mudarra, Hopkinson Smith's "Mudarra: Tres Libros de Música en Cifras para Vihuela" album is number 10 out of 25. On top of that, France appears to be the country where this track was created. In terms of popularity, Glosa Sobre un Benedictus de una Missa de Josquin (Tiento del Quarto tono) is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Glosa Sobre un Benedictus de una Missa de Josquin (Tiento del Quarto tono) by Alonso Mudarra, Hopkinson Smith to be Andante (at a walking pace) because the track has a tempo of 105 BPM, a half-time of 52BPM, and a double-time of 210 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
A Minor is the music key of this track. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Toccate 1614 | Joachim van den Hove, Joachim Held | B Major | 2 | 1B | 57 BPM | ||
Terpsichore*: Ballet | Michael Praetorius, Westra Aros Pipers, Bourrasque Ensemble, Bertil Färnlof | B♭ Major | 0 | 6B | 126 BPM | ||
Prima die Lectio prima: IV. Beth | Emilio de' Cavalieri, Le Poème Harmonique, Vincent Dumestre | F♯ Minor | 0 | 11A | 86 BPM | ||
Fantazia of foure parts | Orlando Gibbons, Harmonia Recorder Ensemble | A Minor | 0 | 8A | 94 BPM | ||
Balletto fatto nella Bariera sopra la Sala di Bologna | Francesco Corbetta, Pierre Pitzl, Private Musicke | D♭ Minor | 0 | 12A | 77 BPM | ||
Lute Sonata No. 6: I. Alemanda | Giovanni Zamboni, Luciano Còntini | A♭ Minor | 0 | 1A | 112 BPM | ||
La Promenade: Prelude | Francesca Torelli, Charles Mouton | A Minor | 1 | 8A | 129 BPM | ||
Basciami Mille Volte a 5 Voci | Luca Marenzio, Rinaldo Alessandrini, Concerto Italiano | G Minor | 1 | 6A | 81 BPM | ||
The Flat Pavan | John Johnson, Ronn McFarlane, William Simms | C Major | 2 | 8B | 94 BPM | ||
Suite Española - Arr. For Guitar By Narciso Yepes: Canarios | Gaspar Sanz, Narciso Yepes | D Major | 1 | 10B | 87 BPM |
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