"De Natura Sonoris No. 1 - 1994 Remastered Version" by Krzysztof Penderecki, Polish National Radio Symphony Orchestra, Nationales Polnisches Rundfunksinfonieorchester was released on March 19, 1994. Since De Natura Sonoris No. 1 - 1994 Remastered Version is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 8 in the song's album "Threnody to the Victims of Horoshima etc". In this album, this song's track order is #4. De Natura Sonoris No. 1 - 1994 Remastered Version is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With De Natura Sonoris No. 1 - 1994 Remastered Version by Krzysztof Penderecki, Polish National Radio Symphony Orchestra, Nationales Polnisches Rundfunksinfonieorchester having a BPM of 86 with a half-time of 43 BPM and a double-time of 172 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 3/4.
This song is in the music key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Greenwood: 48 Responses to Polymorphia: Pacay Tree | Jonny Greenwood, Krzysztof Penderecki, Marek Mos, AUKSO Orchestra | E Minor | 5 | 9A | 129 BPM | ||
Bartók: String Quartet No. 4 in C Major, Sz. 91: V. Allegro molto | Béla Bartók, Belcea Quartet | G Major | 4 | 9B | 116 BPM | ||
Scottoma | Christopher Young | A Minor | 0 | 8A | 171 BPM | ||
Root of an Unfocus | John Cage, Boris Berman | B Major | 0 | 1B | 134 BPM | ||
The Rite of Spring, Part 1: II. The Augurs of Spring - Dances of the Young Girls | Igor Stravinsky, Vasily Petrenko, Royal Liverpool Philharmonic Orchestra | B♭ Major | 3 | 6B | 115 BPM | ||
Utrenja, Part II, "The Resurrection of Christ": I. The Gospel | Krzysztof Penderecki, Iwona Hossa, Agnieszka Rehlis, Piotr Kusiewicz, Piotr Nowacki, Gennady Bezzubenkov, Warsaw Boys Choir, Warsaw Philharmonic Choir, Warsaw Philharmonic Orchestra, Antoni Wit | G Major | 8 | 9B | 108 BPM | ||
Black Angels: I. Departure | George Crumb, Kronos Quartet | B♭ Minor | 2 | 3A | 120 BPM | ||
Burial Service: March, Z. 860A | Henry Purcell, Oxford Camerata, Laurence Cummings, Jeremy Summerly | C Minor | 0 | 5A | 85 BPM | ||
Kosmogonia | Krzysztof Penderecki, Olga Pasichnyk, Rafal Bartminski, Tomasz Konieczny, Warsaw Philharmonic Choir, Warsaw Philharmonic Orchestra, Antoni Wit | A♭ Major | 3 | 4B | 84 BPM | ||
Stoop to Dunk | Laz Ukpo | F♯ Major | 0 | 2B | 168 BPM |
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